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Has a waltz written by composer Frederic Chopin been discovered in an NYC museum?
Sherritt International Co. ( OTCMKTS:SHERF – Get Free Report ) was the recipient of a significant decrease in short interest in the month of December. As of December 15th, there was short interest totalling 238,300 shares, a decrease of 21.7% from the November 30th total of 304,300 shares. Based on an average daily trading volume, of 1,900 shares, the days-to-cover ratio is currently 125.4 days. Sherritt International Stock Performance Shares of SHERF opened at $0.11 on Friday. The stock’s 50-day moving average price is $0.12 and its two-hundred day moving average price is $0.15. Sherritt International has a 1 year low of $0.07 and a 1 year high of $0.27. About Sherritt International ( Get Free Report ) Featured Stories Receive News & Ratings for Sherritt International Daily - Enter your email address below to receive a concise daily summary of the latest news and analysts' ratings for Sherritt International and related companies with MarketBeat.com's FREE daily email newsletter .Kobe Sanders tied a season high with 27 points as Nevada claimed fifth place in the Charleston Classic with a 90-78 victory over Oklahoma State Sunday afternoon in South Carolina. Sanders helped the Wolfpack (6-1) earn a second win following one-possession games against Vanderbilt and VCU. After hitting the decisive 3-pointer with five seconds left in Friday's 64-61 win over VCU, Sanders made 7 of 10 shots, hit three 3s and sank 10 of 13 free throws Sunday. Nick Davidson added 223 points as Nevada led by as many as 19 and shot 58.9 percent. Brandon Love contributed 11 on 5-of-5 shooting as the Wolfpack scored 46 points in the paint and scored at least 85 for the fourth time this season. Marchelus Avery led the Cowboys (4-2) with 15 points and Arturo Dean added 13. Robert Jennings and Abou Ousmane added 11 apiece but leading scorer Bryce Thompson was held to seven points on 1-of-9 shooting as Oklahoma State shot 42 percent and 73.2 percent (30-of-41) at the line. After Avery's 3 forged a 12-12 tie with 13:41 remaining, Nevada gradually gained separation. The Wolfpack took a 24-15 lead on Chuck Bailey's jumper in the paint with 8:28 left but the Cowboys inched back, getting within 33-31 on a dunk by Avery with 4:11 left. Another Bailey jumper staked Nevada to a 40-33 lead by halftime. Nevada began pulling away early in the second half as it scored eight in a row for a 52-40 lead on a basket by Love with 16:44 left. A 3 by Sanders opened a 62-43 lead with 14:06 remaining before Oklahoma State charged back. After Nevada made eight straight shots, the Cowboys countered with 11 straight points and trailed 62-54 with 11:19 left on a 3-pointer by Avery. Thompson made his first basket by sinking a jumper with 10:37 left to get Oklahoma State within 64-56 left, and Keller's triple cut the margin to 70-64 nearly three minutes later. The Cowboys were within 78-72 on a basket by Avery with 3:56 remaining, but he fouled out about a minute later and the Wolfpack outscored Oklahoma State 12-6 the rest of the way as Sanders sank five free throws. --Field Level Media
Deficit soars as Biden heads out the doorNEW YORK — The brooding waltz was carefully composed on a sheet of music roughly the size of an index card. The brief, moody number also bore an intriguing name, written at the top in cursive: “Chopin.” A previously unknown work of music penned by the European master Frederic Chopin appears to have been found at the Morgan Library & Museum in Manhattan. The untitled and unsigned piece is on display this month at the opulently appointed institution, which had once been the private library of financier J.P. Morgan. A previously unknown musical manuscript, possibly by Frederic Chopin, is held in a display case after it was discovered at The Morgan Library & Museum on Nov. 13 in New York. John Minchillo, Associated Press Robinson McClellan, the museum curator who uncovered the manuscript, said it's the first new work associated with the Romantic era composer to be discovered in nearly a century. But McClellan concedes that it may never be known whether it is an original Chopin work or merely one written in his hand. People are also reading... The piece, set in the key of A minor, stands out for its “very stormy, brooding opening section” before transitioning to a melancholy melody more characteristic of Chopin, McClellan explained. “This is his style. This is his essence,” he said during a recent visit to the museum. “It really feels like him.” McClellan said he came across the work in May as he was going through a collection from the late Arthur Satz, a former president of the New York School of Interior Design. Satz acquired it from A. Sherrill Whiton Jr., an avid autograph collector who had been director of the school. McClellan then worked with experts to verify its authenticity. The paper was found to be consistent with what Chopin favored for manuscripts, and the ink matched a kind typical in the early 19th century when Chopin lived, according to the museum. But a handwriting analysis determined the name “Chopin” written at the top of the sheet was penned by someone else. Born in Poland, Chopin was considered a musical genius from an early age. He lived in Warsaw and Vienna before settling in Paris, where he died in 1849 at the age of 39, likely of tuberculosis. Listen now and subscribe: Apple Podcasts | Google Podcasts | Spotify | RSS Feed | SoundStack A previously unknown musical manuscript, possibly by Frederic Chopin, is seen in a display case after it was discovered at The Morgan Library & Museum, Nov. 13 in New York. John Minchillo, Associated Press He’s buried among a pantheon of artists at the city’s famed Père Lachaise Cemetery, but his heart, pickled in a jar of alcohol, is housed in a church in Warsaw, in keeping with his deathbed wish for the organ to return to his homeland. Artur Szklener, director of the Fryderyk Chopin Institute in Warsaw, the Polish capital city where the composer grew up, agreed that the document is consistent with the kinds of ink and paper Chopin used during his early years in Paris. Musically, the piece evokes the “brilliant style” that made Chopin a luminary in his time, but it also has features unusual for his compositions, Szklener said. “First of all, it is not a complete work, but rather a certain musical gesture, a theme laced with rather simple piano tricks alluding to a virtuoso style," Szklener explained in a lengthy statement released after the document was revealed last month. He and other experts conjecture the piece could have been a work in progress. It may have also been a copy of another's work, or even co-written with someone else, perhaps a student for a musical exercise. Jeffrey Kallberg, a University of Pennsylvania music professor and Chopin expert who helped authenticate the document, called the piece a “little gem” that Chopin likely intended as a gift for a friend or wealthy acquaintance. “Many of the pieces that he gave as gifts were short – kind of like ‘appetizers’ to a full-blown work,” Kallberg said in an email. “And we don’t know for sure whether he intended the piece to see the light of day because he often wrote out the same waltz more than once as a gift.” David Ludwig, dean of music at The Juilliard School, a performing arts conservatory in Manhattan, agreed the piece has many of the hallmarks of the composer’s style. “It has the Chopin character of something very lyrical and it has a little bit of darkness as well,” said Ludwig, who was not involved in authenticating the document. But Ludwig noted that, if it's authentic, the tightly composed score would be one of Chopin’s shortest known pieces. The waltz clocks in at under a minute long when played on piano, as many of Chopin’s works were intended. “In terms of the authenticity of it, in a way it doesn’t matter because it sparks our imaginations,” Ludwig said. “A discovery like this highlights the fact that classical music is very much a living art form.” The Chopin reveal comes after the Leipzig Municipal Libraries in Germany announced in September that it uncovered a previously unknown piece likely composed by a young Wolfgang Amadeus Mozart in its collections. Classic Christmas songs that are more than 100 years old Classic Christmas songs that are more than 100 years old Christmas music has a long and storied history beginning centuries ago with pagan rituals. Those traditions evolved with St. Francis of Assisi’s Nativity plays in the 13th century, and survived Puritan rule when many Christmas traditions and celebrations were banned during part of the 17th century.Traveling minstrels spread original songs before the invention of the printing press in 1440 ushered in an era of texts that served as the foundation for some of the most beloved Christmas songs. These tunes would be shared in the form of poetry and hymns printed on broadsides. Today, Christmas music runs the gamut from silly to revolutionary. Songs range from grandmothers getting trampled by reindeer to those based on the work of a Romantic-period poet. Who knew that the catchy tune of Wenceslas, the king with the funny name, is a reverent song about the patron saint of the Czech Republic? Or perhaps it would surprise readers to discover that “Silent Night” was designated as an item of Intangible Cultural Heritage by UNESCO.These songs we know by heart and hear so often have rich histories rooted in things like war, religion, social reform, and slavery. Stacker compiled a list of Christmas songs released before 1920 and explored the origins of these pieces. This list includes Christmas carols, famous instrumentals, popular hymns, and spirituals from countries around the world. Many of these songs were created out of a chance collaboration between artists spanning time and space; a clergyman pens a hymn, and years later, a composer resurrects those words and sets them to a melody.It may come as no surprise, then, that what people consider to be Christmas classics are among the most-covered Christmas songs of all time. “Silent Night,” for example, had 137,315 recordings according to a 2017 Billboard report.Read on to learn about the rich histories of some of the most beloved Christmas songs that are more than a century old.You may also like: 71 years of Emmy history Plum Leaves // Flickr 'Jingle Bells' (1885) Written by James Lord Pierpont in 1857 and originally titled “One Horse Open Sleigh,” “Jingle Bells” is one of the most beloved and ubiquitous Christmas carols in existence. In 1965, astronauts Wally Schirra and Thomas Stafford made “Jingle Bells,” the first song heard from space as they orbited Earth aboard the Gemini 6. It may be surprising that this Christmas classic was written as a Thanksgiving song. Public Domain 'Here We Come A-wassailing' (c. 1850) This traditional English Christmas carol refers to the practice of wassailing, the definition of which has evolved over the years. In the song, wassailing is the practice of traveling door-to-door, wishing good health, and asking for a bit of hospitality and Christmas tidings in return, including a drink from a communal bowl filled with mulled cider or ale called wassail. Other familiar variants of the song include “Here We Come A-Caroling,” and “Here We Come A Christmasing.” Hulton Archive // Getty Images 'Good King Wenceslas' (1853) Published by hymn writer John Mason Neale in 1853, this carol was based on the life of the virtuous ruler Wenceslaus I, Duke of Bohemia. Wenceslaus I was revered for his piety, morality, and virtue. After his assassination, he was posthumously conferred as a king by Holy Roman Emperor Otto I, which is why people don’t sing of good Duke Wenceslaus. Wenceslaus was elevated to sainthood immediately after his death, and he's considered the patron saint of the Czech Republic. Public Domain // Wikimedia Commons 'O Tannenbaum' (1824) The version of “O Tannenbaum” most of us are familiar with today was written in 1824 by Ernst Anschütz, a well-known organist and composer from Leipzig, Germany. Anschütz’s version was one of many based on a 16th-century German folk song that pays homage to the steadfast nature of the "Tannenbaum," the German word for a fir tree. The song’s association with Christmas began with Anschütz even though no explicit mention of Christmas was made in his original lyrics. Furthermore, most Christmas trees are spruce, not fir. Readers may be more familiar with the song’s English title, “O Christmas Tree.” Hulton Archive // Getty Images 'God Rest You Merry, Gentlemen' (1760) If you’ve ever wondered what “God rest you merry” means, you’re not alone. This carol’s title is often misinterpreted, mispunctuated, and widely debated. The phrase “rest you merry” is used in the same way we use “rest assured.” It is not an address to merry gentlemen but rather an imperative statement to all gentlemen to be happy, citing the birth of Christ. It’s even referenced in Charles Dickens' classic “A Christmas Carol.” The earliest known print edition of the carol dates back to 1760, but its author is unknown.You may also like: 30 celebrities you might not know are LGBTQ Pixaby 'We Three Kings' (1863) Originally titled “Three Kings of Orient,” this carol was written by journalist-turned-clergyman John Henry Hopkins in 1857 for a Christmas pageant and published six years later. The carol chronicles the Christian gospel of Matthew in which three biblical magi, commonly known as the three wise men, bring gifts of gold, frankincense, and myrrh to honor the birth of Jesus. Leopold Kupelwieser // Wikimedia Commons 'It Came Upon the Midnight Clear' (1850) Edmund Sears—a Unitarian pastor in Wayland, Mass.—wrote a five-stanza poem titled “It Came Upon the Midnight Clear” in 1849. It was adapted by American composer Richard Storrs Willis in 1850 and set to a melody called “Carol.” The words of this poem-turned-carol are regarded as an account of the issues at the time. Topics referred to in the song include the end of the Mexican-American war and a call for peace among men. Public Domain // Wikimedia Commons 'Go Tell It on the Mountain' (1907) Proudly rejoicing the nativity of Jesus, “Go Tell It on the Mountain” was an African-American spiritual dating back to 1865. John Wesley Work Jr. was a composer and ethnomusicologist who compiled hundreds of spirituals and even composed a few, including “Go Tell It on the Mountain,” in his work: “American Negro Songs and Spirituals; A Comprehensive Collection of 230 Folk Songs, Religious and Secular.” Public Domain // Wikimedia Commons 'What Child is This?' (1871) Written by William Chatterton Dix in 1865 and published in 1871, this carol explores what the shepherds present at the birth of Jesus must have been thinking when they encountered him. In gospel, hymns, and art, shepherds are central characters in the Nativity of Jesus. The song is set to the familiar melody of “Greensleeves,” a 16th-century English folk song. Hulton Archive // Getty Images 'O Come, All Ye Faithful' (1751) The exact origins of this popular carol are unknown, but it is most often credited to John Francis Wade. Originally written and printed in Latin as “Adeste Fideles,” it first appeared in Wade’s 1751 collection “Cantus Diversi.”You may also like: Exploring minority representation in the biggest box office winners ever Plum Leaves // Flickr 'Silent Night' (1818) What began in 1818 as a modest performance outside of St. Nicholas parish in Oberndorf, Austria, has become one of the most popular Christmas songs of all time. Translated into over 300 languages, “Stille Nacht” was written by a priest named Joseph Mohr and composed by Franz Xaver Gruber in 1818. The song became popular among traveling folk singers, and before long, it could be heard around the world. The English version we know today called “Silent Night” was not written until 1863. “Stille Nacht” was named an intangible cultural heritage by UNESCO in 2011. JOE KLAMAR // AFP via Getty Images 'Carol of the Bells' (1919) “Carol of the Bells” is no doubt familiar to you, if not by name, then by melody. The carol was based on an Ukranian folk chant called "Shchedryk,” which was traditionally sung on New Year’s Eve as it spoke of good fortune for the upcoming year. American composer Peter J. Wilhousky adapted the lyrics "Shchedryk” into a Christmas song in 1919 using the original musical arrangement by Ukranian composer Mykola Leontovych. Many artists have covered the carol over the last century, and one of its more popular variants is “Christmas Eve/Sarajevo” by the Trans-Siberian Orchestra. Public Domain // Wikimedia Commons 'In the Bleak Midwinter' (1906) “In the Bleak Midwinter” was based on a poem of the same name written by English poet Christina Georgina Rossetti in 1872. English composer Gustav Holst first set the poem to music in 1906. Public Domain 'The Holly and the Ivy' (1911) This particular carol was published by Cecil Sharp, a famous conservator of English folk tradition, in 1911. The song is packed with symbolism that dates back to pagan rituals. Holly, representing males, and ivy, representing females, used to be burned together during the pagan festival of Beltane to encourage a fruitful spring. In Christianity, holly is symbolic of the crown of thorns Jesus wore during his crucifixion. With this rich history, evergreens like holly and ivy are viewed as symbols of rebirth and renewal, which are common themes celebrated at Christmas time. AEWD // Shutterstock 'I Heard the Bells on Christmas Day' (1872) This carol was based on the poem "Christmas Bells," written by Henry Wadsworth Longfellow on Christmas Day in 1863. With an injured wife and a son who joined the union army against his father’s wishes, Longfellow lamented hearing bells on Christmas Day during the American Civil War. The lyrics convey a sense of hopelessness when goodwill and peace on Earth seemed impossible. The poem was set to music in 1872 by English composer John Baptiste Calkin.You may also like: Mistakes from the 50 best movies of all time GoodFreePhotos 'O Holy Night' (1847) “O Holy Night” is based on a French poem titled "Minuit, Chrétiens," written by Placide Cappeau at the behest of a parish priest. Composer Adolphe Adam set the poem to music that same year, and it quickly gained popularity throughout France. When Cappeau denounced the Catholic Church to join the socialist movement, the church responded by denouncing his beloved carol. The song made a resurgence after it was translated into English and introduced in America by John Sullivan Dwight. Public Domain // Wikimedia Commons 'O Little Town of Bethlehem' (1868) After visiting Bethlehem in the Mutasarrifate of Jerusalem, Phillips Brooks was inspired to write about his experiences. Brooks, an Episcopal priest, shared the poem he had written with Lewis Redner, his church’s organist, and asked him to create a melody for it so they could perform it at an upcoming Sunday school service. In a single evening, Redner composed the tune that we know today. Reflecting on the success of the carol, Redner stated: “Neither Mr. Brooks nor I ever thought the carol or the music to it would live beyond that Christmas of 1868.” Rawpixel Ltd // Flickr 'Away in a Manger' (1885) Mistakenly attributed, for many years, to Martin Luther—the seminal figure of Europe’s Protestant Reformation in the 16th century—and even titling early versions of this piece “Luther’s Cradle Song,” “Away in a Manger” is a relatively simple carol with unknown origins. The first record of the text being set to music with the title “Away in a Manger” is found in the 1885 publication “Little Children's Book for Schools and Families.” Public Domain // Wikimedia Commons 'Hark! The Herald Angels Sing' (1855) The carol we know as “Hark! The Herald Angels Sing” was originally titled "Hymn for Christmas-Day,” published in 1739 by Charles Wesley, leader of the Methodist movement and brother to John Wesley, the movement’s founder. But it was George Whitefield who adapted the text in 1753 to give us that familiar opener “Hark! The Herald Angels Sing.” The melody was composed by Felix Mendelssohn and later adapted by William H. Cummings in 1855 to create the song that's popular today. Pixabay 'The Twelve Days of Christmas' (1780) This numeric carol was originally published in England in 1780 in a children’s book called “Mirth Without Mischief.” It is believed to be a type of children's memory-and-forfeit game in which the singer must remember every verse or forfeit something if they make a mistake.You may also like: Best and worst Al Pacino movies spatuletail // Shutterstock 'Angels We Have Heard on High' (1862) Citing the gospel of Luke, this English carol is based on a French song called “Les Anges dans nos campagnes.” The lyrics were written by James Chadwick, a bishop in 1862. His words were set to the tune "Gloria," which was arranged by Edward Shippen Barnes. Public Domain // Wikimedia Commons 'The Cherry Tree Carol' (c. 1500) This Christmas ballad is believed to date back to the 15th century. Unlike many other carols that reference the gospels of Luke or Matthew, this story takes place sometime in between as Mary and Joseph journey to Bethlehem. It is one of the few depictions of Joseph struggling to accept Mary’s pregnancy, evidenced through lyrics such as “O then bespoke Joseph/ With words so unkind,/ Let him pluck thee a cherry/That brought thee with child.” The song was made popular again by Joan Baez’s rendition in 1961. Public Domain // Wikimedia Commons 'The Friendly Beasts' (12th century) The exact origins of this carol are unknown, but it is believed to be one of the oldest carols still sung today. Dating back to the 12th century, “The Friendly Beasts” is a traditional French carol about the animals present at the birth of Jesus and the gifts they bestowed on him. bob // Flickr 'Joy to the World' (1719) “Joy to the World” was originally written as a hymn by Isaac Watts. Watt’s adaptation of Psalm 98 interprets Christ as the king of the church and as the king of the world. “Joy to the World” is one of the most recorded Christmas songs of all time. Public Domain // Wikimedia Commons 'Coventry Carol' (c.1591) Perhaps the darkest song on this list, “Coventry Carol,” depicts the biblical event “The Massacre of the Innocents” in which King Herod ordered the killing of all male babies under the age of two in Bethlehem. The song takes the form of a lullaby recited to the persecuted children. In Christianity, “The Massacre of the Innocents” is an important part of the broader Nativity story and thus a relevant story in the Christmas narrative. “Coventry Carol” was originally part of a medieval mystery play performed in England called “The Pageant of the Shearmen and Tailors.”You may also like: Best Grateful Dead albums of all time José Luiz Bernardes Ribeiro // Wikimedia Commons Stay up-to-date on what's happeningBritain needs its own ‘Iron Dome’ to guard against missile threats from Russia and Iran, says Starmer ally
Target (NYSE:TGT) Cut to Hold at Deutsche Bank AktiengesellschaftDown 8%, This Undervalued Growth Stock Is a Top Buy for 2025PITTSBURGH (AP) — Preseason’s over. Now the real work begins for the Pittsburgh Steelers. While the past three months have been promising and productive for the first-place Steelers (10-3), it has come largely at the expense of teams who will likely watch the playoffs on TV. Six of Pittsburgh’s victories have come against teams who currently have losing records. The other four wins — Denver , the Chargers , Washington and Baltimore — are solid resume-builders with a small caveat: none of them lead their respective divisions. To be clear, Pittsburgh’s play is part of the reason those four clubs find themselves looking up to others in the standings. That will change on Sunday when the Steelers travel across the state to face NFC juggernaut Philadelphia , the start of an 11-day sprint in which Pittsburgh also faces a rematch with the Ravens and spends Christmas Day at Acrisure Stadium against Patrick Mahomes and the two-time defending Super Bowl champion Chiefs . “It’s just going to show us how good we can be,” safety DeShon Elliott said. It’s a testament to the weekly tunnel vision Pittsburgh coach Mike Tomlin creates that wide receiver Calvin Austin III needed to be reminded about the daunting stretch that awaits after Sunday’s relatively drama-free 27-14 win over Cleveland. RELATED COVERAGE Tua Tagovailoa’s strong play has helped keep the Dolphins’ playoff hopes alive Panthers lose rookie RB Jonathon Brooks for the season to a torn ACL; same knee he injured at Texas Atop the NFC West with a 4-game winning streak, the Seahawks are in playoff mode “Who do we play again?” Austin said. When reminded it was three teams that fully expect to be in New Orleans on the second Sunday in February, Austin laughed. “That’s a tough little stretch, but at the end of the day it’s a five-star matchup as Coach T says because we’re in it,” he said. “We know that when we’re out there, it’s going to always be a big-time performance.” The AP Top 25 college football poll is back every week throughout the season! Get the poll delivered straight to your inbox with AP Top 25 Poll Alerts. Sign up here . One Austin and his teammates believe they’re ready for after a workmanlike victory over the Browns in which the Steelers were only too intent to let Cleveland self-destruct behind a flurry of penalties, missed field goals and turnovers. More will likely be required in the coming weeks, which is fine by the Steelers. They have put themselves in a position to do things the franchise hasn’t done in a while. And for all the good things they’ve done since early September, they’re only too aware their season will be defined by what comes next. Sure, they’d love a little more time between games to rest up. The scheduling gods didn’t give them that option. So be it. “I feel like the league kind of hates us already, man,” Elliott said. “It’s all right. We’re going to go out here, play those games, work our butts off, go out and be 3-0.” What’s working Letting everybody eat. Russell Wilson seems to be almost pathological in his determination to get every eligible skill position player involved. A week ago against the Bengals , he connected with 10 different players. In the rematch with the Browns, it was eight, including Mike Williams and Scotty Miller, veterans who have largely been afterthoughts of late. Tomlin greeted Miller after an acrobatic 20-yard third down grab on the sideline in the third quarter with “this isn’t a lightning strike,” a popular Tomlin-ism that means simply Miller did all the work necessary to succeed, so it shouldn’t be a surprise when it comes. Asked if he felt compelled to mention this to Tomlin the next time Miller is a candidate to be inactive on game days — as he has often been in recent weeks — Miller smiled. “If you could tell him that, that’d be great,” he said with a laugh. What needs help George Pickens’ maturity. While Pickens believes opponents haven’t found a way to get under his skin, the evidence suggests otherwise. How else to explain why nearly three years into his career, Pickens still frequently finds an envelope in his locker from the league telling him he’s been fined for everything from unsportsmanlike conduct to unnecessary roughness? Pickens’ teammates respect his talent and understand his importance — look at how disjointed the offense looked on Sunday for proof — but will he “cut out the stupid stuff” before the playoffs arrive? That will be entirely up to Pickens. Nothing seems to have gotten through so far. Maybe watching the team win without him while nursing a hamstring injury — as Pickens did on Sunday — will do the trick. Stock up The Steelers may have found their heir apparent to the seemingly ageless Cam Heyward in second-year defensive tackle Keeanu Benton. While Benton will likely never come close to matching Heyward’s impact as a pass rusher, he can do just about everything else and his first career interception on Sunday — a leaping pick of an ill-advised screen pass by Jameis Winston — showcased his spiking football IQ. Stock down Everyone who put money down during the offseason on the Steelers missing the playoffs . It looked like a good investment over the summer with two new quarterbacks, a new offensive coordinator, no second big-play wide receiver to complement Pickens and playing in what was viewed as the best division in the league. Not so much anymore. Pittsburgh has a 99% chance of reaching the postseason for the fourth time in five years. Injuries Defensive tackle Larry Ogunjobi — selected as the team’s Walter Payton Man of the Year nominee last week — left in the second quarter with a groin injury. Defensive tackle Montravius Adams (knee) is trending toward playing for the first time since October and could be available in Philadelphia. Key number Plus-28 — the Steelers’ turnover margin since the start of the 2023 season, tops in the NFL. Next steps Try to do something they haven’t done in nearly 60 years: beat the Eagles on the road. Pittsburgh’s most recent victory in Philadelphia was on Oct. 24, 1965. ___ AP NFL: https://apnews.com/hub/nfl
Deficit soars as Biden heads out the doorDan Campbell left furious in press conference as journalist reveals Lions player leaked plays in social media post READ MORE: The 'ugly' scenes that led to Matt Eberflus' Chicago Bears firing By OLIVER SALT Published: 21:46 GMT, 30 November 2024 | Updated: 21:49 GMT, 30 November 2024 e-mail 1 View comments Detroit Lions head coach Dan Campbell cut a frustrated figure after being told by a journalist that one of his players had accidentally leaked an offensive play on social media. Before their 23-20 victory over the Chicago Bears on Thanksgiving , Lions running back Jahmyr Gibbs shared a photo on his Instagram story which showed teammate Jermar Jefferson stood in front of a whiteboard filled with specific plays. Fans were quick to spot that the whiteboard was filled with specific offensive plays, though it is unclear whether Detroit actually uses any of them in-game or not. Regardless, Gibbs, 22, risked exposing team secrets by posting the photo on Instagram - and Campbell was unaware of it up until a press conference on Saturday. The Lions coach was told by a reporter in that press conference about his player's actions, which appeared to leave him both stunned and furious in equal measure. When told about Gibbs' apparent leak on social media and asked if he needs to remind him to be smart about posting online, Campbell said: 'Oh, I didn't know that. I did not know that. Lions HC Dan Campbell (right) fumed after learning Jahmyr Gibbs (left) leaked an offensive play Jahmyr Gibbs nooooooooooooo pic.twitter.com/80wIBGcyTT — The Coachspeak Index (@CoachspeakIndex) November 30, 2024 Gibbs shared this photo of teammate Jermar Jefferson with team secrets seen in the background 'Ok, yeah, I need to check on that then. Did not know that.' Before swiftly leaving the press conference, he added: 'Yeah, I'd rather our stuff not be out there. Thanks.' Gibbs is currently in his second season with the Lions after being selected with the 12th overall pick in the 2023 NFL Draft. The former Alabama college star has been a crucial member of Campbell's offense in 2024, recording a total of 973 rushing yards and 11 total touchdowns so far, both of which rank in the top five in the NFL. He has helped Detroit flex its muscles as a major Super Bowl contender by winning 11 of their 12 regular-season fixtures, with the only slip-up coming against the Tampa Bay Buccaneers in Week 2. Next up for the Lions is a huge showdown with the Green Bay Packers at Ford Field next Thursday. Detroit Lions Instagram Share or comment on this article: Dan Campbell left furious in press conference as journalist reveals Lions player leaked plays in social media post e-mail Add comment
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Notices issued to Himachal conductor, driver for anti-Rahul Gandhi audio clip playing in government busNEW YORK — The brooding waltz was carefully composed on a sheet of music roughly the size of an index card. The brief, moody number also bore an intriguing name, written at the top in cursive: “Chopin.” A previously unknown work of music penned by the European master Frederic Chopin appears to have been found at the Morgan Library & Museum in Manhattan. The untitled and unsigned piece is on display this month at the opulently appointed institution, which had once been the private library of financier J.P. Morgan. A previously unknown musical manuscript, possibly by Frederic Chopin, is held in a display case after it was discovered at The Morgan Library & Museum on Nov. 13 in New York. Robinson McClellan, the museum curator who uncovered the manuscript, said it's the first new work associated with the Romantic era composer to be discovered in nearly a century. But McClellan concedes that it may never be known whether it is an original Chopin work or merely one written in his hand. The piece, set in the key of A minor, stands out for its “very stormy, brooding opening section” before transitioning to a melancholy melody more characteristic of Chopin, McClellan explained. “This is his style. This is his essence,” he said during a recent visit to the museum. “It really feels like him.” McClellan said he came across the work in May as he was going through a collection from the late Arthur Satz, a former president of the New York School of Interior Design. Satz acquired it from A. Sherrill Whiton Jr., an avid autograph collector who had been director of the school. McClellan then worked with experts to verify its authenticity. The paper was found to be consistent with what Chopin favored for manuscripts, and the ink matched a kind typical in the early 19th century when Chopin lived, according to the museum. But a handwriting analysis determined the name “Chopin” written at the top of the sheet was penned by someone else. Born in Poland, Chopin was considered a musical genius from an early age. He lived in Warsaw and Vienna before settling in Paris, where he died in 1849 at the age of 39, likely of tuberculosis. A previously unknown musical manuscript, possibly by Frederic Chopin, is seen in a display case after it was discovered at The Morgan Library & Museum, Nov. 13 in New York. He’s buried among a pantheon of artists at the city’s famed Père Lachaise Cemetery, but his heart, pickled in a jar of alcohol, is housed in a church in Warsaw, in keeping with his deathbed wish for the organ to return to his homeland. Artur Szklener, director of the Fryderyk Chopin Institute in Warsaw, the Polish capital city where the composer grew up, agreed that the document is consistent with the kinds of ink and paper Chopin used during his early years in Paris. Musically, the piece evokes the “brilliant style” that made Chopin a luminary in his time, but it also has features unusual for his compositions, Szklener said. “First of all, it is not a complete work, but rather a certain musical gesture, a theme laced with rather simple piano tricks alluding to a virtuoso style," Szklener explained in a lengthy statement released after the document was revealed last month. He and other experts conjecture the piece could have been a work in progress. It may have also been a copy of another's work, or even co-written with someone else, perhaps a student for a musical exercise. Jeffrey Kallberg, a University of Pennsylvania music professor and Chopin expert who helped authenticate the document, called the piece a “little gem” that Chopin likely intended as a gift for a friend or wealthy acquaintance. “Many of the pieces that he gave as gifts were short – kind of like ‘appetizers’ to a full-blown work,” Kallberg said in an email. “And we don’t know for sure whether he intended the piece to see the light of day because he often wrote out the same waltz more than once as a gift.” David Ludwig, dean of music at The Juilliard School, a performing arts conservatory in Manhattan, agreed the piece has many of the hallmarks of the composer’s style. “It has the Chopin character of something very lyrical and it has a little bit of darkness as well,” said Ludwig, who was not involved in authenticating the document. But Ludwig noted that, if it's authentic, the tightly composed score would be one of Chopin’s shortest known pieces. The waltz clocks in at under a minute long when played on piano, as many of Chopin’s works were intended. “In terms of the authenticity of it, in a way it doesn’t matter because it sparks our imaginations,” Ludwig said. “A discovery like this highlights the fact that classical music is very much a living art form.” The Chopin reveal comes after the Leipzig Municipal Libraries in Germany announced in September that it uncovered a previously unknown piece likely composed by a young Wolfgang Amadeus Mozart in its collections. Christmas music has beginning centuries ago with pagan rituals. Those traditions evolved with St. Francis of Assisi’s Nativity plays in the 13th century, and survived Puritan rule when many Christmas traditions and celebrations were banned during part of the 17th century. Traveling minstrels spread original songs before the invention of the printing press in 1440 ushered in an era of texts that served as the foundation for some of the most beloved Christmas songs. These tunes would be shared in the form of poetry and hymns . Today, Christmas music runs the gamut from silly to revolutionary. Songs range from grandmothers getting trampled by reindeer to those based on the work of a Romantic-period poet. Who knew that the catchy tune of Wenceslas, the king with the funny name, is a reverent song about the patron saint of the Czech Republic? Or perhaps it would surprise readers to discover that “Silent Night” These songs we know by heart and hear so often have rich histories rooted in things like war, religion, social reform, and slavery. Stacker compiled a list of Christmas songs released before 1920 and explored the origins of these pieces. This list includes Christmas carols, famous instrumentals, popular hymns, and spirituals from countries around the world. Many of these songs were created out of a chance collaboration between artists spanning time and space; a clergyman pens a hymn, and years later, a composer resurrects those words and sets them to a melody. It may come as no surprise, then, that what people consider to be Christmas classics are among . “Silent Night,” for example, had 137,315 recordings according to a 2017 Billboard report. Read on to learn about the rich histories of some of the most beloved Christmas songs that are more than a century old. Written by James Lord Pierpont in 1857 and originally titled “One Horse Open Sleigh,” “Jingle Bells” is one of the most beloved and ubiquitous Christmas carols in existence. In 1965, astronauts Wally Schirra and Thomas Stafford made “Jingle Bells,” the first song heard from space as they orbited Earth aboard the Gemini 6. It may be surprising that this Christmas classic was written as a Thanksgiving song. This traditional English Christmas carol refers to the practice of wassailing, the definition of which has . In the song, wassailing is the practice of traveling door-to-door, wishing good health, and asking for a bit of hospitality and Christmas tidings in return, including a drink from a communal bowl filled with mulled cider or ale called wassail. Other familiar variants of the song include “Here We Come A-Caroling,” and “Here We Come A Christmasing.” Published by hymn writer John Mason Neale in 1853, this carol was based on the life of the virtuous ruler . Wenceslaus I was revered for his piety, morality, and virtue. After his assassination, he was posthumously conferred as a king by Holy Roman Emperor Otto I, which is why people don’t sing of good Duke Wenceslaus. Wenceslaus was elevated to sainthood immediately after his death, and he's considered the patron saint of the Czech Republic. The version of “O Tannenbaum” most of us are familiar with today was written in 1824 by Ernst Anschütz, a well-known organist and composer from Leipzig, Germany. based on a 16th-century German folk song that pays homage to the steadfast nature of the "Tannenbaum," the German word for a fir tree. The song’s association with Christmas began with Anschütz even though no explicit mention of Christmas was made in his original lyrics. Furthermore, most Christmas trees are spruce, not fir. Readers may be more familiar with the song’s English title, “O Christmas Tree.” If you’ve ever wondered what “God rest you merry” means, you’re not alone. This carol’s title is often The phrase “rest you merry” is used in the same way we use “rest assured.” It is not an address to merry gentlemen but rather an imperative statement to all gentlemen to be happy, citing the birth of Christ. It’s even referenced in Charles Dickens' classic “A Christmas Carol.” The earliest known print edition of the carol dates back to 1760, but its author is unknown. Originally titled “Three Kings of Orient,” this carol was written by journalist-turned-clergyman John Henry Hopkins in 1857 for a Christmas pageant and published six years later. The carol chronicles the Christian gospel of Matthew in which three biblical magi, commonly known as the three wise men, bring gifts of gold, frankincense, and myrrh to honor the birth of Jesus. Edmund Sears—a Unitarian pastor in Wayland, Mass.—wrote a five-stanza poem titled “It Came Upon the Midnight Clear” in 1849. It was adapted by American composer Richard Storrs Willis in 1850 and set to a melody called “Carol.” The words of this poem-turned-carol are regarded as an account of the issues at the time. Topics referred to in the song include the end of the Mexican-American war and a call for peace among men. Proudly rejoicing the nativity of Jesus, “Go Tell It on the Mountain” was an African-American spiritual dating back to 1865. was a composer and ethnomusicologist who compiled hundreds of spirituals and even composed a few, including “Go Tell It on the Mountain,” in his work: “American Negro Songs and Spirituals; A Comprehensive Collection of 230 Folk Songs, Religious and Secular.” Written by William Chatterton Dix in 1865 and published in 1871, this carol explores what the shepherds present at the birth of Jesus must have been thinking when they encountered him. In gospel, hymns, and art, shepherds are central characters in the Nativity of Jesus. The song is set to the familiar melody of “Greensleeves,” a 16th-century English folk song. The exact origins of this popular carol are unknown, but it is most often credited to John Francis Wade. Originally written and printed in Latin as “Adeste Fideles,” it first appeared in Wade’s 1751 collection “Cantus Diversi.” What began in 1818 as a modest performance outside of St. Nicholas parish in Oberndorf, Austria, has become one of the most popular Christmas songs of all time. Translated into over 300 languages, was written by a priest named Joseph Mohr and composed by Franz Xaver Gruber in 1818. The song became popular among traveling folk singers, and before long, it could be heard around the world. The English version we know today called “Silent Night” was not written until 1863. “Stille Nacht” was . “Carol of the Bells” is no doubt familiar to you, if not by name, then by melody. The carol was based on an Ukranian folk chant called "Shchedryk,” which was traditionally sung on New Year’s Eve as it spoke of good fortune for the upcoming year. American composer Peter J. Wilhousky adapted the lyrics "Shchedryk” into a Christmas song in 1919 using the original musical arrangement by Ukranian composer Mykola Leontovych. the carol over the last century, and one of its more popular variants is “Christmas Eve/Sarajevo” by the Trans-Siberian Orchestra. “In the Bleak Midwinter” was based on a poem of the same name written by English poet Christina Georgina Rossetti in 1872. English composer Gustav Holst first set the poem to music in 1906. This particular carol was published by Cecil Sharp, a famous conservator of English folk tradition, in 1911. The song is that dates back to pagan rituals. Holly, representing males, and ivy, representing females, used to be burned together during the pagan festival of Beltane to encourage a fruitful spring. In Christianity, holly is symbolic of the crown of thorns Jesus wore during his crucifixion. With this rich history, evergreens like holly and ivy are viewed as symbols of rebirth and renewal, which are common themes celebrated at Christmas time. This carol was based on the poem "Christmas Bells," written by Henry Wadsworth Longfellow on Christmas Day in 1863. With an injured wife and a son who joined the union army against his father’s wishes, Longfellow lamented hearing bells on Christmas Day during the American Civil War. The lyrics convey a sense of hopelessness when goodwill and peace on Earth seemed impossible. The poem was set to music in 1872 by English composer John Baptiste Calkin. “O Holy Night” is based on a French poem titled "Minuit, Chrétiens," written by Placide Cappeau at the behest of a parish priest. Composer Adolphe Adam set the poem to music that same year, and it quickly gained popularity throughout France. When Cappeau denounced the Catholic Church to join the socialist movement, the church responded by denouncing his beloved carol. The song made a resurgence after it was translated into English and introduced in America by John Sullivan Dwight. After visiting Bethlehem in the , Phillips Brooks was inspired to write about his experiences. Brooks, an Episcopal priest, shared the poem he had written with Lewis Redner, his church’s organist, and asked him to create a melody for it so they could perform it at an upcoming Sunday school service. In a single evening, Redner composed the tune that we know today. Reflecting on the success of the carol, : “Neither Mr. Brooks nor I ever thought the carol or the music to it would live beyond that Christmas of 1868.” Mistakenly attributed, for many years, to Martin Luther—the seminal figure of Europe’s Protestant Reformation in the 16th century—and even titling early versions of this piece “Luther’s Cradle Song,” “Away in a Manger” is a relatively simple carol with unknown origins. The first record of the text being set to music with the title “Away in a Manger” is found in the 1885 publication “Little Children's Book for Schools and Families.” The carol we know as “Hark! The Herald Angels Sing” was originally titled "Hymn for Christmas-Day,” published in 1739 by and brother to John Wesley, the movement’s founder. But it was George Whitefield who adapted the text in 1753 to give us that familiar opener “Hark! The Herald Angels Sing.” The melody was composed by Felix Mendelssohn and later adapted by William H. Cummings in 1855 to create the song that's popular today. This numeric carol was originally published in England in 1780 in a children’s book called “Mirth Without Mischief.” It is believed to be a type of children's in which the singer must remember every verse or forfeit something if they make a mistake. Citing the gospel of Luke, this English carol is based on a French song called “Les Anges dans nos campagnes.” The lyrics were written by James Chadwick, a bishop in 1862. His words were set to the tune "Gloria," which was arranged by Edward Shippen Barnes. This Christmas ballad is believed to date back to the 15th century. Unlike many other carols that reference the gospels of Luke or Matthew, this story takes place sometime in between as Mary and Joseph journey to Bethlehem. It is of Joseph struggling to accept Mary’s pregnancy, evidenced through lyrics such as “O then bespoke Joseph/ With words so unkind,/ Let him pluck thee a cherry/That brought thee with child.” The song was made popular again by Joan Baez’s rendition in 1961. The exact origins of this carol are unknown, but it is believed to be one of the oldest carols still sung today. Dating back to the 12th century, “The Friendly Beasts” is a traditional French carol about the animals present at the birth of Jesus and the gifts they bestowed on him. “Joy to the World” was originally written as a hymn by Isaac Watts. Watt’s adaptation of Psalm 98 interprets Christ as the king of the church and as the king of the world. “Joy to the World” is . Perhaps the darkest song on this list, “Coventry Carol,” depicts the biblical event “The Massacre of the Innocents” in which King Herod ordered the killing of all male babies under the age of two in Bethlehem. The song takes the form of a lullaby recited to the persecuted children. In Christianity, “The Massacre of the Innocents” is an important part of the broader Nativity story and thus a relevant story in the Christmas narrative. “Coventry Carol” was originally part of a medieval mystery play performed in England called “The Pageant of the Shearmen and Tailors.” Receive the latest in local entertainment news in your inbox weekly!Nittany Lions will face No. 1 Oregon next Saturday in Indianapolis
Eagles' Darius Slay ruled out vs. Rams with concussionGus Malzahn’s career arc took an interesting turn on Saturday. After a 28-14 loss to Utah on Saturday night, Malzahn reportedly decided to resign as head coach at UCF to take an offensive coordinator job elsewhere, per ESPN’s Pete Thamel. Malzahn’s decision presumably was a surprise to some with head coach-to-offensive coordinator moves not traditionally seen unless the coach was fired beforehand. However, Malzahn, likely seeing the writing on the wall for him with the Knights, decided to get ahead of things before he was fired. Malzahn was a disappointing 28-24 in four seasons at UCF with a 1-2 bowl record. He never won more than nine games. The Knights went downhill the last two seasons, going 6-7 and 4-8, respectively, with Malzahn entering this year on the hot seat. UCF’s only wins this season came against New Hampshire, Sam Houston, TCU and Arizona. Sources: UCF head coach Gus Malzahn is resigning to become the new offensive coordinator at Florida State, sources told ESPN. His UCF tenure will end after four years at 28-24. pic.twitter.com/XHlEFY91T2 After leading Auburn to the BCS national championship game back in 2013, Malzahn’s career has been on a downward spiral. He lasted seven more seasons at Auburn with a 56-33 record before he was fired after producing his eighth winning season and reached fifth on the school’s all-time wins list. With four mediocre seasons at UCF, Malzahn likely believed taking the OC job for a team like Florida State in need of a shakeup could help get his coaching career back on track and lead to a better job than UCF. The 2-9 Seminoles currently rank 88th in red-zone scoring (81.25%), 132nd in total offense (258.9 yards per game) and third-down conversions (24.8%), and 133rd in scoring (13.3 points per game) and yards per play (4.0).
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Formula 1 Stock Hits 52-Week High, Announces 11th Team With General Motors/Andretti Global After Max Verstappen's Fourth Straight Title: Outgoing US President Joe Biden on Tuesday branded his successor Donald Trump's economic plans a "disaster" in a speech hailing his own legacy in office. Biden said Trump's threats to impose huge tariffs on imports were a "major mistake" and urged the Republican to abandon proposed tax cuts. The lame-duck president's speech comes after Trump won a second term largely on the back of US voters' anger at the high cost of living under the Democrats. "I pray to God the president-elect throws away Project 2025. I think it'd be an economic disaster for us and the region," Biden said in his speech at the Brookings Institution in Washington, referring to a conservative blueprint for a second Trump administration. Coughing frequently because of a cold, Biden said US consumers would pay the price for the tariffs that Trump has vowed to slap on US neighbors Mexico and Canada and on Asia-Pacific rival China. Together they are the three biggest US trading partners. "I believe this approach is a major mistake," Biden added. - Shadow president - ==================== The White House had touted Biden's speech as a "major address on his economic legacy" as the 82-year-old looks to the history books with less than six weeks left in office. Biden dropped out of the 2024 race against Trump in July due to concerns about his age and passed the torch to Vice President Kamala Harris, whom Trump comfortably defeated at the November polls. Trump's inauguration is not until January 20 but he has already become something of a shadow president, making pronouncements on the economy and foreign policy and being feted by world leaders. Biden has meanwhile kept a relatively low profile since the November 5 election, but he came out swinging in defense of his own record in front of an audience of economists. He contrasted his "middle-out, bottom-up economic playbook" with what he called Trump's failed promise of "trickle-down economics" in which tax cuts for the wealthy are supposed to boost incomes across the board. Biden also touted achievements including the US economy's recovery from the Covid pandemic and his huge investments in green technology and industry. "President-elect Trump is receiving the strongest economy in modern history, which is the envy of the world," said Biden. But the departing president said he regretted not signing his own name to Covid stimulus checks sent out to Americans, like Trump had done. "I also learned something with Donald Trump. He signed checks for people for 7,400 bucks," he said. "And I didn't -- stupid!" Biden ended his speech with a broader plea for US leadership in a troubled world, even as Trump has repeatedly signaled his intention to take a more isolationist stance. "If we do not lead the world, what nation leads the world? Who pulls Europe together? Who tries to pull the Middle East together?"he said.
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