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Beacon Healthcare Systems Expands Leadership Team with Addition of Ayman Mohamed as Chief Technology OfficerDALLAS (AP) — More than 60 years after President John F. Kennedy was assassinated , conspiracy theories still swirl and any new glimpse into the fateful day of Nov. 22, 1963, in Dallas continues to fascinate . President-elect Donald Trump promised during his reelection campaign that he would declassify all of the remaining government records surrounding the assassination if he returned to office. He made a similar pledge during his first term, but ultimately bended to appeals from the CIA and FBI to keep some documents withheld. At this point, only a few thousand of the millions of governmental records related to the assassination have yet to be fully released, and those who have studied the records released so far say that even if the remaining files are declassified, the public shouldn't anticipate any earth-shattering revelations. “Anybody waiting for a smoking gun that’s going to turn this case upside down will be sorely disappointed,” said Gerald Posner, author of “Case Closed,” which concludes that assassin Lee Harvey Oswald acted alone. Friday's 61st anniversary is expected to be marked with a moment of silence at 12:30 p.m. in Dealey Plaza, where Kennedy's motorcade was passing through when he was fatally shot. And throughout this week there have been events marking the anniversary. Nov. 22, 1963 When Air Force One carrying Kennedy and first lady Jacqueline Kennedy touched down in Dallas , they were greeted by a clear sky and enthusiastic crowds. With a reelection campaign on the horizon the next year, they had gone to Texas on political fence-mending trip. But as the motorcade was finishing its parade route downtown, shots rang out from the Texas School Book Depository building. Police arrested 24-year-old Oswald and, two days later, nightclub owner Jack Ruby fatally shot Oswald during a jail transfer. A year after the assassination, the Warren Commission, which President Lyndon B. Johnson established to investigate the assassination, concluded that Oswald acted alone and there was no evidence of a conspiracy. But that hasn't quelled a web of alternative theories over the decades. The collection In the early 1990s, the federal government mandated that all assassination-related documents be housed in a single collection in the National Archives and Records Administration. The collection of over 5 million records was required to be opened by 2017, barring any exemptions designated by the president. Trump, who took office for his first term in 2017, had boasted that he'd allow the release of all of the remaining records but ended up holding some back because of what he called the potential harm to national security. And while files have continued to be released during President Joe Biden's administration, some still remain unseen. The documents released over the last few years offer details on the way intelligence services operated at the time, and include CIA cables and memos discussing visits by Oswald to the Soviet and Cuban embassies during a trip to Mexico City just weeks before the assassination. The former Marine had previously defected to the Soviet Union before returning home to Texas. Mark S. Zaid, a national security attorney in Washington, said what's been released so far has contributed to the understanding of the time period, giving “a great picture” of what was happening during the Cold War and the activities of the CIA. Withheld files Posner estimates that there are still about 3,000 to 4,000 documents in the collection that haven’t yet been fully released. Of those documents, some are still completely redacted while others just have small redactions, like someone's Social Security number. There are about 500 documents where all the information is redacted, Posner said, and those include Oswald's and Ruby’s tax returns. “If you have been following it, as I have and others have, you sort of are zeroed in on the pages you think might provide some additional information for history,” Posner said. Trump's transition team hasn’t responded to questions this week about his plans when he takes office. A continued fascination From the start, there were those who believed there had to be more to the story than just Oswald acting alone, said Stephen Fagin, curator of the Sixth Floor Museum at Dealey Plaza, which tells the story of the assassination from the building where Oswald made his sniper's perch. “People want to make sense of this and they want to find the solution that fits the crime," said Fagin, who said that while there are lingering questions, law enforcement made “a pretty compelling case” against Oswald. Larry J. Sabato, director of the University of Virginia Center for Politics, said his interest in the assassination dates back to the event itself, when he was a child. “It just seemed so fantastical that one very disturbed individual could end up pulling off the crime of the century," Sabato said. “But the more I studied it, the more I realized that is a very possible, maybe even probable in my view, hypothesis.”

AN I'M a Celebrity 'feud' has been fuelled after the campmates took part in the terrifying Fright Bust challenge. During Tuesday night's episode of I'm a Celebrity the entire camp competed in the trail to win an item of luxury luggage. It involved the famous faces sitting on a bus and being showered with critters as they earned coins which could be exchanged for their things from home. Unsurprisingly stars incuding Maura Higgins and Tulisa screamed their way through the trial. Maura, 34, was sat next to Barry McGuigan, who appeared to quickly have enough of her cries. Barry, 63, was heard telling her, "shh, calm down" - despite her clearly struggling with being covered in bugs. Fans at home noticed the potential tension too, with one writing on social media: "Poor Barry stuck between Maura and Tulisa. He just wants to be done and get home." Another said: "Barry quietly contemplating to himself, why he had to sit next to Maura & Tulisa squealing in his ear." It comes after viewers slammed Barry for "taking a sly swipe" at Maura , who briefly dated his son Shane before she found fame on Love Island. When Maura and Rev Richard Coles entered camp as late arrivals, they had to tackle six courses at the Terrifying Teddy Bear Picnic. Maura faced snacks including a goat’s testicle, cow teats and bull’s penis. They had already bagged six portions of burgers and hot dogs for campmates by keeping up the charade of living in squalor in the Jungle Junkyard. As the ten other celebs watched and laughed, the pair won the remaining six portions for a slap-up junk food buffet. They were rewarded with a feast of sliders, pizza, nuggets, chips and hot dogs As the camp tucked into the food, Barry said: "You see, Maura, you aren’t as hungry as we are. We're starving." She looked up at him and nodded in agreement. But viewers weren't sure about the comment and feel it might be a sign of underlying tension. One wrote: "Barry: “You see Maura you aren’t as hungry as we are” This felt so awkward considering Maura is Barry’s sons ex girlfriend [crying emojis]."For many, this is a time of year that involves thinking about presents to exchange for holidays, host gifts for parties and end-of-year festivities at work. Whether you're tightening your budget or don't plan to give gifts at all, here are some ideas for how to cope: Dreamstime Paying for presents Stick to a budget. If you're planning to make gifts or goodies, that's OK, too. "Whatever the gift is, it should fit with your ability level, what you're capable of giving and comfortable giving," said Lizzie Post, co-president of the Emily Post Institute and great-great-granddaughter of Emily Post, who authored "Etiquette" in 1922. Post makes homemade candy as gifts. She has a more affluent friend who once gave her pricey snow boots for Christmas, which Post treasured. "Her generosity was so at the heart of the gift, and she knows that my heart is at the center of my homemade gifts," she said. People are also reading... 1 in 4 people say they’ll go into debt for the holidays. Is social media to blame? Make a list, check it twice Be sensitive to traditions that your family has set or that you have set for yourself. "Is this someone expecting a gift because you've always exchanged gifts?" said Maralee McKee, the founder of the Etiquette School of America in Orlando, Fla. "If you want to change any of those gift-exchanging traditions, you need to let them know as soon as possible." Know that just because you give doesn't mean that person will reciprocate. Others might be on a tight budget or from a different faith where gift-giving this time of year isn't the norm. "It's worth recognizing that if you get something for someone," Post said, "they are not obligated to get something for you in return." As families expand and evolve, they frequently limit purchases. "Lots of families celebrating at home do a gift exchange where they give to one person rather than everybody," Post said. But if you have a visitor — for example, your brother's new girlfriend who will be with you for a Christmas morning gift exchange — then make sure you have a little something wrapped up for that person as well, McKee said. Listen now and subscribe: Apple Podcasts | Google Podcasts | Spotify | RSS Feed | SoundStack 2024 holiday mailing tips: Deadlines, packaging advice and more things to know Office offerings First things first, consult Human Resources. The company might have a policy regarding gifts. If you're the boss and choose to give, be equal and give the same gift across the staff. Alternatively, offer a shared event depending on the size of the group. The big exception is if you have an executive admin or personal assistant who keeps you organized. That role deserves a larger thank you, but you may want to give the gift privately. The standard advice is not to give a gift to a higher-up, though a staff might decide on a group present like a gift card and ask for only voluntary contributions. "We used to say, 'You never gift up the ladder because it can look like you're trying to gain favor,'" Post said. Some want to give presents to specific friends at work but not to everyone at the office. In that case, do the gift exchange outside the office, Post said. Why your favorite catalogs are smaller this holiday season Regifting: naughty or nice? Regifting has its place in the world but not if you thoughtlessly leave the original birthday wrapping on what's intended as a Christmas gift, Post said. "There are definitely times when regifting is you just getting rid of junk," she said. Post's four rules of regifting: The present should be in original packaging with all components; it shouldn't be something personalized to you; you should be 99% sure recipients wouldn't mind that it was a regift if they were to find out; and the item should be pleasing. Post recalls a friend who received an octopus-shaped ceramic planter. "There was no way she could regift that," Post said. The right book can inspire the young readers in your life, from picture books to YA novels 9 holiday gifts to hit the right note for music lovers Small, luxury foods are great as stocking stuffers or other gifts. Ideas for under $50 Game-changing holiday gifts for building fires, printing photos, watching birds and more Stay up-to-date on what's happeningNot Purdy: 49ers hit Green Bay with backup QB, no Bosa

Wade Taylor IV helps No. 22 Texas A&M get by Texas TechThis story was originally published on December 6, 2018. Much like Santa with his Naughty and Nice list, every holiday season we revisit the ranking to reconsider which films make the cut. The holiday season is upon us, which means it’s time to put away our differences in the interest of peace on earth, goodwill toward others, etc., etc., and kick back with a great Christmas movie , a filmmaking tradition that dates back to the 1898 film Santa Claus . In that one, Santa slides down a chimney, stuffs some stockings, and promptly disappears into the ether; the whole film runs just over one minute long. No one would argue that that early effort was anything but a Christmas movie, but these days, the question comes up frequently: What exactly is a Christmas movie? Is merely being set at Christmas enough? Or is there some elusive other element that makes a Christmas movie a Christmas movie? It’s the old, now tired, “Does Die Hard count?” debate. Well, does it? Opting for a big-tent definition of what constitutes a Christmas movie, this list of the greatest Christmas movies ever made argues, yes, it does, very much so. And not just because it takes place at Christmas. The story of a man trying to repair his life, earn redemption, and keep his family together, Die Hard engages with some key Christmas-movie themes. More than twinkling lights and gift-making elves, we looked to these elements when putting the list together. Also, the movies on this list have to be good. There’s a cynical reason to make a Christmas movie: The demand is high, even for the bad ones, every holiday season, when cable plays them ad nauseam to satisfy Christmas-crazed subscribers. So, sorry, National Lampoon’s Christmas Vacation — just because you’re unavoidable doesn’t earn you a spot on the list. Another qualifier: We stayed away from the world of made-for-TV movies, though some direct-to-streaming titles did make the cut. That means Hallmark Channel Christmas movies about young people who don’t like each other but then end up liking each other a lot weren’t considered. The list is mostly feature films but with a few shorts thrown in as well. We also opted to include a wide variety of Christmas movies, ranging from established classics to cult horror movies . Not every title will be for everyone, but there should be something for everyone here, whether you want Jimmy Stewart welcoming the season or Santa’s demonic counterpart threatening a dysfunctional family. In the spirit of the season, we erred on the side of generosity. 50. The streaming era has produced many forgettable movies that disappear from memory almost as quickly as they appear under the “Top Picks” header. But some have stuck around, like this goofy, endearing Netflix movie starring Kurt Russell as a gruff but good-hearted ( and hunky ) Santa who spends one busy Christmas Eve helping out a family of troubled kids escape a series of mishaps. Think Adventures in Babysitting , but with St. Nicholas and a musical cameo from Steven van Zandt and his band. A sequel followed in 2020 that, while not quite as good, does expand on Goldie Hawn’s last-minute appearance as Mrs. Claus at the end of the original. 49. A true Christmas oddity, this is the only holiday movie featuring Jimmy Durante as a down-on-his-luck vaudevillian forced to part ways with his trained squirrel as Christmas approaches. That’s the heartbreaking premise of The Great Rupert , but it’s all a set-up to a happy ending in which Durante is reunited with his four-legged friend, the poor get rich, and the rich learn a lesson (a story element that pops up a lot in the flood of Christmas movies released in the years immediately following World War II). The plot lags at times, but Durante’s always fun, and so is Rupert, the delightful creation of producer George Pal, the stop-motion wizard behind Puppetoons . 48. There’s no shortage of Christmas horror movies, some of them quite good (as other entries on this list suggest). But none are quite like Rare Exports: A Christmas Tale , an unwaveringly deadpan Christmas thriller from Finnish director Jalmari Helander ( Sisu ). Onni Tommila plays Pietari, a boy living in a remote corner of Lapland, who comes to fear that a nearby mining operation has unearthed Santa Claus. But not, in his words, the “Coca-Cola Santa,” the real, demonic Santa dedicated to punishing the naughty. As Christmas approaches, and strange occurrences like the mass slaughter of reindeer start to transpire, Pietari and those around him discover the boy is only half-right and the real trouble is even deeper and stranger. Helander and his cast commit to the absurd premise wholeheartedly, allowing Rare Exports to work as a fun yuletide black comedy and a pretty solid supernatural action film at the same time. Fair warning: You’ll never think of Santa’s elves in the same way ever again after watching it. 47. Between this movie and another one a little higher on the list, Billy Bob Thornton has carved himself a nice space in the seamy-underbelly-of-Christmas subgenre. Holiday cheer provides an ironic backdrop for this overlooked-but-quite-good Harold Ramis thriller, starring Thornton and John Cusack as a pair of seedy characters looking to get the hell out of Wichita after ripping off their boss. Unfortunately, they haven’t factored in the possibility that bad weather (to say nothing of double crosses and other unforeseen bits of adversity) will get in their way. Thornton and Cusack make for a great pair, but it’s Oliver Platt who steals his every scene as a drunken lawyer in a film that provides the perfect antidote to the season’s excessive amounts of good cheer and faith in one’s fellow man. 46. Tim Burton isn’t exactly underrepresented on this list, but his second Batman movie is too filled with twinkles and tinsel not to include, even if its mood is ultimately more frightful than festive. The sequel pits Batman (Michael Keaton) against the dreadful Penguin (Danny DeVito) and the alluring Catwoman (Michelle Pfeiffer) against the backdrop of a Gotham City all decked out for the holidays. (One key scene takes place at a Christmas tree-lighting ceremony that goes awry.) Whether it truly celebrates the season or not is open for debate, but watching the film’s superheroics play out in a snowy, light-strewn, postcard-perfect city makes it feel of a piece with Burton’s other Christmas films. 45. There’s been no shortage of scary Santas in movies — see above and below for examples — but few as terrifying as Christopher Plummer in this sometimes brutal thriller. Plummer plays Arthur Reikle, a psychopathic criminal who poses as a mall Santa while scheming to rob a Toronto bank. When a clever clerk (Elliott Gould) gets wise and schemes to rob the robber, a battle of wits ensues. The action plays out across several months, but it’s the early scenes that will make you look askance at any stranger in a Santa costume, no matter how jolly-seeming. 44. Or, if The Ice Harvest isn’t a strong enough antidote, check out this truly twisted slasher about a toy-factory employee who goes on a Yuletide killing spree. Christmas Evil has a premise similar to the much better known Silent Night, Deadly Night , which sparked protests in the streets when it was released four years later. But Silent Night, Deadly Night is just a standard slasher movie in Christmas drag. Christmas Evil plays like a demented piece of outsider art that takes the idea of a killer Santa to some pretty extreme places — including an ending that has to be seen to be believed. John Waters is a fan, which pretty much tells you all you need to know. 43. Before The Nightmare Before Christmas , before Rankin-Bass specials like Rudolph the Red-Nosed Reindeer , before even The Great Rupert there was The Insects’ Christmas , from Russian animator Ladislas Starevich. Starevich made a series of films using dead insects as his stars. His Christmas movie expands the cast to include Father Christmas and an animated doll. But insects remain, as the title suggests, front and center in an inventive, enchanting, if a little unsettling, look at how a bunch of bugs (and one frog) celebrate Christmas that climaxes with Santa, a grasshopper, and assorted other bugs skating on a frozen lake. счастливого Рождества to all! 42. What’s Stanley Kubrick’s final film about, really? Is it about one man’s harrowing descent into the erotic underbelly of New York as he wanders around one night? It is. But isn’t it also about a family nearly falling apart then getting back together in time for Christmas? Its final scene, set in a toy-and-Christmas-light-filled FAO Schwarz, suggests that’s the case. The film’s final lines are not directly related to the holidays or, technically speaking, family-friendly. But they, in their own way, encapsulate the season’s spirit of togetherness. 41. As Christmas approaches, all is not well for Henry Brougham (David Niven), a Protestant bishop trying to raise funds for the glorious new cathedral of his dreams — a project that’s led him to neglect his wife, Julia (Loretta Young), and daughter and cause him to lose sight of his roots as a minister to the needy. Enter Dudley (Cary Grant), an angel determined to set Henry on the right path. The only trouble: He finds himself increasingly wanting to spend time with Julia instead. The film’s a bit pokily directed at times, but Young and Grant’s chemistry smooths over some rough patches — particularly when Grant gets a wistful look in his eyes suggesting that he might call heaven his home but he knows he could find even greater happiness on earth with Young’s character by his side. ( The Preacher’s Wife , the 1996 remake starring Denzel Washington and Whitney Houston, is also worth a look.) 40. Everyone knows that Christmas is about three things: spiritual reflection, spending time with family, and debutante balls. Or at least that’s what the season means for the self-described Urbane Haute Bourgeoisie of Whit Stillman’s Metropolitan , upper-class (and upper-class-adjacent) Manhattanites who spend their evenings attending deb events and their after-hours discussing life, politics, literature, and whatever else comes to mind. Edward Clements stars as Tom, a not-that-privileged college student who falls in with a more upper-crust crowd where he’s befriended by the acidic Nick (Chris Eigeman) and Audrey (Carolyn Farina), with whom he becomes infatuated. Audrey’s fondness for Jane Austen provides the strongest clue as to what Stillman’s up to with this fond but unsparing comedy of manners set among a group of not-quite-adults just before they have to decide what they do with the rest of their lives. It’s a spiritual reflection of a different sort, the kind loaded with endearing characters, witty lines, and unexpectedly touching moments. 39. What is Scrooged trying to say, anyway? You can watch the film over and over — easy to do if you have a cable subscription in December, when it plays all the time — and never quite figure it out. Is it a pitch-black comedy about the commercialization of Christmas? Is it a cynical send-up of our once-a-year celebration of kindness and selflessness? Is it a sincere depiction of a man being transformed by the holidays? It’s a tough film to pin down, probably because the darkly comic sensibilities of star Bill Murray and writers Mitch Glazer and Michael O’Donoghue often seem at odds with that of blockbuster director Richard Donner. But what makes this Reagan-era update on Charles Dickens’s A Christmas Carol — in which Murray plays a cold-hearted TV network president visited by Christmas spirits — flawed also makes it fascinating, and Carol Kane is especially fun as the Ghost of Christmas Present. Worth noting: Dickens’s classic looms large over the Christmas-movie genre, making this just one of many A Christmas Carol adaptations to make the list. Others include ... 38. For a more tuneful version of the Dickens tale, there’s this 1970 musical starring Albert Finney as the eponymous miser. Finney holds nothing back as Scrooge, truly living up to the moniker “the Meanest Man in the Whole Wide World” given to him in “Father Christmas,” one of many earworm-y songs written by Willy Wonka & the Chocolate Factory songwriter Leslie Bricusse. Highlights include Alec Guinness as a spooky Jacob Marley and a truly scary Ghost of Christmas Yet to Come. It’s a big, occasionally tacky, but quite fun take on the familiar story. 35. All three of these movies raise a question: How much Christmas does a movie need to be a Christmas movie ? All are great films that set key scenes at Christmastime, but is it fair to call them Christmas movies? In the generous spirit of the season, let’s include them (but let’s also rank them a little lower than some others because so much of their narratives don’t take place during the holidays). All also have moments so Christmassy it would be a shame not to include them. Gillian Armstrong’s 1994 Little Women adaptation gets the nod for the moving way it stages the moment when Beth (Claire Danes) receives a piano for Christmas (and Danes’s heartrending expression of overwhelming joy). Greta Gerwig’s 2019 version has to be included for the moment when Bob Odenkirk’s Mr. March returns home for Christmas and embraces his family while calling them “my little women.” Vincente Minnelli’s classic 1944 musical spans a year in the life of St. Louis’s Smith family, but it’s a year in which a Christmas ball plays a pivotal role and features Judy Garland debuting “Have Yourself a Merry Little Christmas,” now a Christmas standard (albeit one no one has performed more heartbreakingly than Garland). 34. With her follow-up to Something’s Gotta Give , Nancy Myers seemingly set out to ask the question, If I cast four actors who really have no business appearing in a soft-edged romantic comedy in my next movie, could I make it work anyway? The answer: kind of? Cameron Diaz and Kate Winslet play, respectively, a tightly wound editor of movie trailers and a British newspaper reporter who decide to swap houses shortly before Christmas. This leads Winslet’s character, now in L.A., to befriend an aging screenwriter played by Eli Wallach and (eventually) fall for a kindhearted composer played by Jack Black. Meanwhile, Diaz’s character, installed in Surrey, unwittingly hooks up with the brother of Winslet’s character, played by Jude Law. It’s a somewhat shapeless movie that goes on too long, but it also has an undeniable, nap-friendly, tryptophan-like charm as four beautiful people overcome the ridiculously small hurdles keeping them from getting together in two photogenic environments. (Also, Wallach’s a lot of fun.) 33. Bob Hope didn’t so much play characters as variations on the Bob Hope persona, a wisecracking coward with a tendency to get in way over his head then make matters worse for himself. Hope’s not the most obvious fit for a Damon Runyon adaptation, much less a Christmas-themed Runyon adaptation with a deep sentimental streak, but their sensibilities end up meshing pretty well anyway in this 1951 comedy. Hope plays the eponymous character, a con artist who has to flee Florida for New York in order to pay off a debt to a gangster. The ensuing scam involves criminals dressed as Santa and a fake retirement home for “Old Dolls.” The inspired slapstick bits reportedly come from the brilliant animator-turned-director Frank Tashlin, but it’s Hope and co-star Marilyn Maxwell’s performance of the then-new “Silver Bells” that’s ensured the film its spot in the Christmas-movie canon. 32. Nostalgia and holidays both have a way of warping emotions. Combined, they’re hard to resist, especially when it comes to movies that won us over when we were younger. That’s why it’s impossible not to include Home Alone — the John Hughes–scripted, Chris Columbus–directed hit in which Macaulay Culkin finds himself unexpectedly left behind when his family mistakenly flies to Paris without him. But it would be unfair to rank it any higher. Have you watched it? Lately? As a grown-up? Like, watched it all the way through from the shrill opening filled with obnoxious kids to the leadenly staged slapstick climax? It’s a much rougher ride than you might remember. Still, Culkin’s charming, and the sentimental ending works every time. Just ask George Costanza . 31. Few movies have been embraced and rejected, rejected and embraced with the ferocity of Richard Curtis’s 2003 holiday smorgasbord of new love, old love, dying love, Prime Minister love, and porn-movie love. It’s unabashedly corny and sometimes annoyingly smug and simplistic in its take on love, but there’s just so much going on in the movie that it’s hard to reject it wholesale. Don’t like the silly story line in which some luckless Brits fly to America to test the theory that their accents will make them a hit with women? Just stay tuned for a wrenching tale of infidelity starring Alan Rickman and Emma Thompson. Plus, it features the quintessential Bill Nighy performance as a washed-up rock star made miserable by his success, a true present any time of year. 30. Janet Leigh plays Connie, a war widow who unexpectedly becomes the center of a love triangle when her longtime suitor Carl (Wendell Corey) meets an unexpected rival in the form of Steve (Robert Mitchum), a veteran trying to figure out his place in the postwar world. Steve finds himself infatuated with Connie after they meet-cute in a department store — he’s a clerk, she’s a Christmastime undercover shopper — then starts a hard sell, asking him to dump Carl and take a chance on him. Mitchum’s tough-guy demeanor serves him well here, giving an odd energy to the love story. His character is sometimes written as too pushy, but the scene in which he declares his intentions over Christmas dinner, a moment where there’s no room for lies, is downright electric — and the final scene is a stunner. 29. Shane Black often sets his films against a Christmas backdrop, but where Lethal Weapon , Iron Man 3 , and others feel like films that happen to take place at Christmas, Black’s directorial debut feels like it could only take place at Christmas thanks to its themes of redemption, forgiveness, and rebirth. Here it’s New York thief Harry Lockhart (Robert Downey Jr.) in need of a new start, which he gets when he’s mistakenly asked to audition for a role in a Hollywood movie. Once there, he falls into a mystery tied to his own past when he reconnects with a childhood friend (Michelle Monaghan) and reluctantly partners with a private eye (Val Kilmer). The twists, rapid-fire banter, and love of seedy crime fiction are familiar Black trademarks, but the concern for Harry’s happiness and connections with others — brought to life by the performance that cemented Downey’s comeback — make this Black’s most heartfelt script. 28. Sometimes the right actor in the right role is pretty much all you need. This pleasant, goofy film stars Will Ferrell as Buddy, a human who’s grown up at the North Pole living under the mistaken impression that he’s an elf, despite developing into a lumbering adult with little skill for elfish endeavors such as toy-making. Eventually, he has to find his way in the human world when he travels to New York in search of his birth father (James Caan). As a cynical department-store employee, Zooey Deschanel provides a fun contrast to Ferrell’s wild-eyed enthusiasm. The film’s more winning the less it relies on wild antics, but Ferrell and others make sure it stays heartfelt throughout. 27. Aardman Animations, the studio behind the Wallace and Gromit shorts and Chicken Run , brings its own particular whimsical sensibility to a holiday tale with this playful look inside the inner workings of the North Pole, where the latest in a long line of Santas (Jim Broadbent) seems reluctant to give up his post to one of his sons. Steven Claus (Hugh Laurie), who’s been running the operation for his dad with military precision, seems the obvious successor, but it’s the bumbling Arthur (James McAvoy) who best embodies the Christmas spirit, as evidenced by his mad rush to make sure the one kid who mistakenly got the wrong present doesn’t wake up disappointed on Christmas morning. The film mixes clever ideas — dig that high-tech North Pole! — with real warmth, making it feel like nothing less than the future of Christmas itself rests on Arthur’s shoulders. 26. The first big-screen Muppet project after the 1990 death of Jim Henson, A Muppet Christmas Carol features some terrific Paul Williams songs, and smartly slots the always charming Muppets in the familiar Dickens roles. (Kermit and Piggy play the Cratchits, naturally, yet it’s details like the Swedish Chef as a party cook that make it a particular delight for longtime fans.) In the end, though, what makes the movies is Michael Caine’s performance as Ebenezer Scrooge. Caine plays it straight, as if he doesn’t even realize he’s surrounded by puppets, ensuring that the movie works as a moving Dickens adaptation first, and a Muppet movie second. 25. A true cult classic, this low-budget noir directed by Allen Baron unfolds against the backdrop of a New York decked out for the holidays. Yet it’s anything but a merry Christmas for Frank Bono (also Baron), a Cleveland hit man who’s in town to do a job. Mixing gritty location shooting with lyrical narration, it mixes pulpy themes with a feeling of existential loneliness. The movie would work if it weren’t set at Christmas, but the holiday cheer ratchets up the sense of alienation and despair. Not everyone is destined to have happy holidays. Some might not even make it out alive. 24. Arthur Christmas too heartwarming for you? Then try Bob Clark’s classic horror film, in which a mysterious killer starts picking off members of a sorority house one by one during the lead-up to Christmas. Shot on and near the University of Toronto campus, it’s secretly one of the most influential horror films of all time, inspiring Halloween and all the slasher films that followed. Beyond its odd cast (Margot Kidder! SCTV ’s Andrea Martin! Romeo and Juliet star Olivia Hussey! 2001: A Space Odyssey ’s Keir Dullea!), it’s notable for using Christmas trappings to unnerving effect, including a truly memorable final scene. (Clark, who’d later go on to direct Porky’s , would return to Christmas with a much different movie less than a decade later.) 23. Is this a Christmas movie or a Halloween movie? Why choose one when it’s obviously both? The Nightmare Before Christmas has become such a Halloween marketing bonanza — with images of protagonists Jack Skellington and Sally becoming unavoidable every October — that it’s easy to forget it’s at heart the story of a kindhearted ghoulish spirit learning the true meaning of Christmas. (That its most famous song repeats the words “This is Halloween!” over and over again probably doesn’t help.) Directed by stop-motion wizard Henry Selick from a story and designs by Tim Burton, it plays like a sweet-creepy take on a Rankin-Bass Christmas special, building an elaborate mythology out of the holidays and populating it with endearing characters with lessons to learn and adversity to overcome. 22. Much like Nightmare Before Christmas , Joe Dante’s enduring horror favorite Gremlins plays like someone wanted to see how badly a bunch of little monsters could screw up the setting of another Christmas classic. The answer: pretty badly! Set in an idyllic American town straight out of It’s a Wonderful Life — its name, Kingston Falls, even hearkens back to that movie’s Bedford Falls — Gremlins features a cuddly little creature whose evil offspring run amok all over a sweet burg as it gets ready to celebrate the Christmas season. As usual, Dante mixes mockery with celebration, and the film evolves from a horror movie into a freewheeling send-up of both the holidays and the Hollywood movies that celebrate them. 21. Neither Disney animation nor its biggest star, Mickey Mouse, were riding high in the early ’80s. Disney had suffered a string of disappointments and setbacks, and though he remained an inescapable icon, Mickey hadn’t been seen in movie theaters since the ’50s. But this adaptation of the Dickens story suggested there might be life in both yet. Running just 26 minutes — and originally serving as the opener for a rerelease of The Rescuers — Mickey’s Christmas Carol offers a brisk, moving take on the familiar story. Scrooge McDuck (who else?) assumes the Scrooge role, but it’s Mickey and Minnie’s turns as the Cratchits that give the lovingly animated film its heart. After years of cutting corners and coasting on past triumphs, it provided an early sign that Disney was trying again — almost as if the studio has been visited by spirits reminding it what really mattered or something. 20. Fred MacMurray and Barbara Stanwyck famously co-starred in Billy Wilder’s 1944 noir Double Indemnity , but that’s just one of four films to pair them together. They first teamed up for this 1940 Christmas romance in which Fred MacMurray plays John Sargent, a hard-charging DA who, through a misunderstanding, comes to spend the days before Christmas with Lee Leander (Barbara Stanwyck), a small-time jewel thief he’s prosecuting. They start to fall in love during a road trip to Indiana, a sojourn that almost allows them to forget that John still has to try to send Lee to jail when they get back. Directed by Mitchell Leisen from a Preston Sturges script, Remember the Night begins as a broad, brisk comedy but shifts moods as John learns about Lee’s difficult past. In a classic holiday-spirit turn, he comes to realize the advantages his loving family have bestowed upon him once he sees how appreciative Lee is after sharing the first warm Christmas morning of her life with his family. 19. A movie about holiday togetherness that focuses on three characters that would rather be anywhere else (at least at first), Alexander Payne’s 1970-set comedy stars Paul Giamatti as Paul, a boarding-school teacher unexpectedly saddled with caring for a handful of boys with nowhere else to go at Christmastime. When that bunch gets reduced to just one bright, sad, rebellious kid named Angus (Dominic Sessa), Paul finds himself forced to open up for the first time in years, both to Angus and Mary (Da’Vine Joy Randolph), the head of the school’s cafeteria services who’s remained behind to provide meals. Mary’s still mourning the loss of her son in Vietnam, and Angus has family problems that remain veiled until late in the film. They seemingly have nothing in common, but Payne’s film evolves from a comedy of awkward interactions to a bittersweet celebration of togetherness that unfolds on the edge of despair. 18. French cinematic pioneer Georges Méliès’s contribution to the Christmas-film canon offers little in the way of narrative, just an abundance of turn-of-the-century Christmas imagery as a pair of sleeping children imagine a winter wonderland filled with frolicking musicians, holiday revelers, and, of course, Père Noël himself. It’s a lovely, whimsical short film that captures the inventive director in a festive mood, and immortalizes on film ways of celebrating Christmas that otherwise might have faded from memory. 17. A song of yearning for holiday togetherness the singer suspects he’ll never find again, Bing Crosby’s recording of the Irving Berlin song “White Christmas” became a runaway hit in 1942 as America adjusted to the loss and separation of World War II. Its success was spurred on by the August release of Holiday Inn , a musical conceived by Berlin that starred Crosby and Fred Astaire as collaborators who break up and reunite over the course of a year, all against the backdrop of a country inn only open on holidays. (All the better to showcase Berlin’s knack for crafting holiday-themed hits.) With Danny Kaye subbing in for Astaire, Berlin and Crosby teamed up 12 years later for White Christmas , another holiday musical set at an idyllic getaway. Both films have become Christmas staples, and both have much to recommend them. Featuring top-drawer Berlin songs and one memorable scene after another — Astaire tap dances while smoking and setting off fireworks in one — and elegant direction by Mark Sandrich, Holiday Inn is the better film by a good measure, but watching it means grappling with an ugly blackface number mid-film. (To make matters worse, skipping the scene altogether would result in missing an important plot point.) White Christmas , on the other hand, features fewer songs and a sleepy, low-stakes plot as Crosby and Kaye romance (sort of) a sister act played by Rosemary Clooney and Vera Ellen. Still, its aggressive, Technicolor pleasantness has its own charms. 15. Tim Burton clearly has a fondness for Christmas that extends beyond A Nightmare Before Christmas . Batman Returns , for one, uses the holiday to memorable effect. But Burton’s Edward Scissorhands goes even further, treating a sensitive, lab-created man with scissors for hands (Johnny Depp) as a Christ-like, too-pure-for-this-world figure who descends on an American suburb where he’s celebrated, then persecuted. The first collaboration between Burton and Depp, a team-up that would become less welcome as the years piled up, is a lovely celebration of outsiders that captures the Burton sensibility in its purest form, elevating his sympathy for monsters and a disdain for the “normal” world into a moral drama filled with arresting images. 14. Not unlike Scissorhands , John Ford’s 3 Godfathers similarly uses echoes of the story of Christ to tremendous effect. A rare Christmas Western, the film stars John Wayne as one of a trio of bank robbers who agree to care for a newborn child while fleeing the law in Death Valley. Ford’s biblical echoes aren’t subtle, nor are they intended to be, but Wayne keeps the film, and its themes of redemption and rebirth, grounded with one of his most sensitive performances. 13. A great Christmas movie that not enough people talk about, It Happened on Fifth Avenue opens with the homeless sage Aloysius T. McKeever (Victor More) moving, as he does every Christmas season, into the luxurious Manhattan home of vacationing tycoon Michael J. O’Connor (Charles Ruggles). From there the film keeps piling on the complications as it breaks down the divide between the haves and the have-nots. McKeever is soon joined by a displaced World War II vet (Don DeFore) and O’Connor’s daughter Mary (Ann Harding), who doesn’t let on that she’s loaded and knows the house even better than those squatting there. The house grows more crowded, new loves get kindled, old loves get renewed, and O’Connor is forced to do a Scrooge-like about-face when he gets reacquainted with those less fortunate than him. Directed by Roy Del Ruth, who took on the project after Frank Capra decided to make It’s a Wonderful Life instead, It Happened on Fifth Avenue earns its warmth honestly, tethering a tale of fresh starts and changed hearts to the real difficulties faced by those reaching for the American dream in a postwar era that was supposed to bring prosperity for all. 12. In a film as sexy as it is funny, Barbara Stanwyck plays Elizabeth Lane, a magazine columnist who risks being exposed as a phony if she can’t create the perfect Christmas at the Connecticut home she’s writing about as part of a PR stunt to reward recuperating GI Jefferson Jones (Dennis Morgan), who’s been dreaming of tasting her recipes while serving in World War II. The only problem: There is no Connecticut home, and she can’t cook. The farcical complications pile up from there, and Stanwyck deftly balances Elizabeth’s mounting sense of panic with wry humor as she reckons with her unexpected desire for Jones — a desire that has popped up just after she’s decided to give up on love in return for a marriage of convenience. Director Peter Godfrey keeps the action fast and light while trusting Stanwyck to excellently bring her character’s dilemma to life, even if it involves changing a diaper as if she’s never seen a baby before in her life. 11. Produced as the planet descended into another World War, this 1939 short , like many animated films, depicts a world populated by wide-eyed cartoon animals. The difference: They’ve inherited the Earth from humanity, whose habit of making war has led to its destruction. Directed for MGM by the influential animation pioneer Hugh Harman — who, with his partner Rudy Ising, had already logged stints working for Walt Disney and Warner Bros. — it’s a masterfully downbeat vision of the future; the cute protagonists, with their enthusiasm for keeping Christmas traditions alive, do little to offset the short film’s depictions of the horrors of war and the ways we fail to live up to our noblest principles. When Fred Quimby, William Hanna, and Joseph Barbera remade it 16 years later as the also-great Good Will to Men , they had to change little beyond the addition of nuclear war and other up-to-date threats. 10. The end of the year can be a confusing time of reflection for those who feel they don’t have anything to celebrate. That feeling is captured beautifully in Scottish director Bill Forsyth’s tale of a Glasgow DJ (Bill Paterson), who finds himself unexpectedly alone when he’s dumped by his girlfriend shortly before Christmas. Adrift, he finds himself drawn into a turf war between two rival ice-cream vendors, a conflict that might offer him a chance to start over, or might drive him to the brink of madness. Paterson beautifully depicts a man who’s quietly, and sometimes not so quietly, experiencing a nervous breakdown as the world around him grows stranger and more absurd. That it all somehow builds toward a hilarious moment of reconciliation involving an unexpected new ice-cream product is just one of many little miracles in a Christmas movie that takes a roundabout way to celebrating the season’s possibilities of renewal and rebirth, but still gets there all the same. 9. It takes time for a film to emerge as a Christmas classic, and while this one may not end up being shown in constant rotation alongside A Christmas Story and Home Alone , let’s stake an early claim for Sean Baker’s Tangerine , a film that follows the Christmas spirit into some unexpected corners . Kitana Kiki Rodriguez and Mya Taylor co-star as, respectively, Sin-Dee and Alexandra, a pair of transgender sex workers living on the fringes of Los Angeles. Released from jail on Christmas Eve, Sin-Dee is driven to frustration when she learns that her pimp/lover Chester (James Ransone) is cheating on her as Alexandra prepares for a musical performance. Chaos mounts as day turns into night in the hours before Christmas. Baker’s film, co-written by Chris Bergoch, alternates laughs and shocks, but it keeps circling back to how this particular Christmas has become a crossroads for its central characters, and how much they need each other if they’re going to make it through another year. It all ends with an image that, in its own way, is as warm and generous as Charlie Brown’s friends reviving a seemingly hopeless tree. You might have noticed that this list — some notable exceptions aside — is dominated by stories of prosperous white families. Among its other virtues, Tangerine serves as a corrective to that tradition, serving as a reminder that Christmas isn’t limited to the land of picket fences and neatly trimmed trees. It’s a film as vital, alive, and in touch with the holiday as more traditional entries — an invitation to other filmmakers to redefine what a Christmas movie can be, and as much a story about the importance of human kindness as the one that tops this list. 8. Like Comfort and Joy , Todd Haynes’s Carol depicts the holidays as a time of possibility and peril as an intense, forbidden romance plays out against the backdrop of the 1952 Christmas season. The film stars Cate Blanchett as the eponymous unhappy housewife, a woman who unexpectedly falls for Therese (Rooney Mara), a store clerk. But their relationship seems doomed before it really begins once it threatens Carol’s ability to see her child, leaving her with an impossible choice. Inspired by Brief Encounter and adapted from a 1952 novel by Patricia Highsmith, otherwise best known for pitiless crime fiction like The Talented Mr. Ripley , Carol uses its holiday setting as more than a backdrop: Haynes bathes the films in Christmas lights, sure, but he also captures the spirit of a season through Carol and Therese’s relationship. The passing of one year gives way to a potential new beginning of the next — for those who can make it to the other side. 7. Odd as it may sound, many of the same qualities in Carol also make Die Hard a great Christmas movie, no matter what star Bruce Willis says . Yes, the John McTiernan–directed movie is one of the best action movies ever made; yes, it’s endlessly quotable; and, yes, it transformed Willis from that guy on Moonlighting who occasionally put out music under a different persona into a full-fledged movie star. But it’s also a story of loss and renewal in which Willis’s New York cop John McClane has to navigate the strange world of L.A. and take down a bunch of Eurotrash pseudo-terrorists in order to repair his marriage. And that’s no small part of the movie. Reconciling with his wife in time for the holidays is McClane’s mission. The rest is just a sidetrack, though neither goal will be easy. Still, he guns down the bad guys and emerges from the confrontation bloody and with a sense of forgiveness. Merry Christmas to all! 6. A proudly mean-spirited black comedy seemingly at war with the Christmas spirit, Bad Santa somehow loops all the way back around to being a heartwarming Christmas movie about one man’s redemption. It’s a weird trick, pulled off in large part thanks to star Billy Bob Thornton’s performance as a hard-drinking con artist who uses his work as a mall Santa as a setup for grand larceny. Actually, “hard-drinking” doesn’t begin to describe Thornton’s Willie Soke, who spends much of the film in a near-stuporous state yet still manages to form an unlikely makeshift family with a misfit kid (Brett Kelly) and a bartender (Lauren Graham) with a thing for Santas. With able support from Bernie Mac and John Ritter, director Terry Zwigoff keeps the humor dark without losing sight of his characters’ humanity — however deep they might sink into a drunken haze. 5. Making his second appearance on this list with a much different Christmas movie, director Bob Clark’s venerable 1983 film adapts storyteller and radio personality Jean Shepherd’s tales of growing up in Hammond, Indiana, while cutting nostalgia and sentiment with just the right amounts of broad, occasionally dark, comedy. (And, it has to be noted, some pretty unfortunate racial stereotypes toward the end.) The episodic film follows Ralphie (Peter Billingsley) in the days before Christmas, when he wants nothing more than a Red Ryder air rifle — and seems destined not to get one. Narrated by Shepherd himself, it mixes big comic moments, like a kid getting his tongue stuck to a stop sign, with affection for family life and days gone by. Clark renders the memories of growing up in a particular time and place so well that Shepherd’s Hammond — its name changed to “Hohman” — becomes an idealized stand-in for any time and every place. 4. There are many great romantic movies set at Christmas, but somehow The Shop Around the Corner still stands above them all. Maybe it’s the irresistible premise: A pair of feuding co-workers don’t realize they’re falling in love with one another via anonymous letters. (If that sounds familiar, it’s because Nora Ephron drew on the same source material — the Miklós László play Parfumerie — for You’ve Got Mail .) Maybe it’s a cast headed by Jimmy Stewart and Margaret Sullivan and filled out with colorful character actors. Maybe it’s because few directors have balanced lightness and romance like Ernst Lubitsch. Whatever the case, it’s both a peerless romantic comedy and one of the great Christmas movies, weaving themes of forgiveness and second chances into a love story that reflects the season in which it takes place. 3. What makes an adaptation of A Christmas Carol great? Above all, it’s the actor playing Ebenezer Scrooge. There have been many memorable movie Scrooges (take a look at the multiple entries above), but few as memorable as Alastair Sim. He’s not just terrifyingly convincing as a pitiless miser in the film’s early scenes but also heartbreakingly affecting as a changed man in its closing moments. Not that Sim doesn’t get help from director Brian Desmond Hurst, who whisks the action along while surrounding his lead with lushly realized Victorian trappings and an able supporting cast. But the film rests on Sim’s shoulders, and it’s not hard to see why he’s yet to be supplanted as the definitive Scrooge. 2. Here’s a question: What was going on that led to so many great Christmas movies being released in 1947? That year saw the release of The Bishop’s Wife , It Happened on Fifth Avenue (see above), and offered most viewers their first chance to see the greatest Christmas movie of all time (see below). It also produced this lovely story of a girl (Natalie Wood) whose mother (Maureen O’Hara) unwittingly hires someone who may be the actual Kris Kringle as a department-store Santa at Macy’s. What follows is part fantasy, part romance (as O’Hara’s character starts to fall for a charming neighbor), part indictment of commercialism, part defense of letting children be children as long as they can, and part legal thriller (well, sort of). Mostly, the film, written and directed by George Seaton, is an irresistible bit of Christmas whimsy made unforgettable by Edmund Gwenn’s turn as the man who might be Santa. 1. What else? Really, what other film could top a list of the greatest Christmas movies of all time? Frank Capra’s enduring classic stars Jimmy Stewart as George Bailey, the unwitting savior of Bedford Falls, a man whose goodness and generosity has touched more people than he realizes. In fact, as one bleak Christmas looms, he doesn’t realize it at all and is ready to commit suicide — until an angel named Clarence (Henry Travers) arrives to show him the error of his ways. Though it’s become synonymous with holiday cheer, Capra’s film works because of its willingness to go to some dark places, and because of Stewart’s ability to play a gregarious goof one moment and a man whose world comes crashing down the next. Curiously, the film didn’t go into wide release until after Christmas in January of 1947, which might have contributed to its underwhelming box-office performance. But it received a second life thanks to relentless airings on local television in the ’70s and ’80s, where its depiction of one man’s dark night of the soul (and a nightmarish vision of what unrestrained greed looks like without those interested in fairness and justice to stand in the way of the Mr. Potters of the world) connected with a new generation. It’s not hard to see why. It’s grounded in details of the times that inspired it — the Depression, World War II — but its vision of holiday kindness, and of the sort of country most of us would want to live in and the values of kindness and generosity most of us share, remains timeless.

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SILICON SLOPES, Utah--(BUSINESS WIRE)--Dec 5, 2024-- Domo, Inc. (Nasdaq: DOMO) today announced results for its fiscal third quarter ended October 31, 2024. Fiscal Third Quarter Results “Our focus on ecosystem-led growth, consumption-based contracts and AI innovation is paying off with promising momentum, as we see more demand for Domo as an anchor technology in customers’ data stacks,” said Josh James, founder and CEO, Domo. “The data and AI landscape is evolving to create new market opportunities for Domo, and we feel confident we’re in the right position to capitalize on this moment.” Recent Highlights We believe the following announcements and recognition demonstrate our commitment to product innovation and customer value: Business Outlook Based on information available as of December 5, 2024, Domo is providing the following guidance for its fourth quarter of fiscal 2025 and full year fiscal 2025: Q4 Fiscal 2025 Full Year Fiscal 2025 We have not reconciled guidance for non-GAAP metrics to their most directly comparable GAAP measures because certain items that impact these measures are not within our control or cannot be reasonably predicted. Earnings Call Details Domo plans to host a conference call today to review its fiscal 2025 third quarter financial results and to discuss its financial outlook. The call is scheduled to begin at 3:00 p.m. MT/ 5:00 p.m. ET. A live webcast of the event will be available on the Domo Investor Relations website at https://www.domo.com/ir and a live dial-in is available at (877) 484-6065 or (201) 689-8846. A replay will be available at (877) 660-6853 or (201) 612-7415 with the access ID#13750075 following the completion of the conference call until 11:59 p.m. (ET) January 4, 2025. About Domo Domo puts data to work for everyone so they can multiply their impact on the business. Our cloud-native data experience platform goes beyond traditional business intelligence and analytics, making data visible and actionable with user-friendly dashboards and apps. Underpinned by AI, data science and a secure data foundation that connects with existing cloud and legacy systems, Domo helps companies optimize critical business processes at scale and in record time to spark the bold curiosity that powers exponential business results. For more information, visit www.domo.com . You can also follow Domo on LinkedIn , X and Facebook . Domo Disclosure Channels to Disseminate Information Domo investors and others should note that we announce material information to the public about our company, products and services, and other issues through a variety of means, including Domo’s website, press releases, filings with the U.S. Securities and Exchange Commission (SEC), blogs and social media, in order to achieve broad, non-exclusionary distribution of information to the public. We intend to use the Domo Facebook page , the Domo LinkedIn page , the Domo blog , the @Domotalk X account and the @JoshJames X account as a means of disclosing information about the Company and its services and for complying with the disclosure obligations under Regulation FD. The information we post through these social media channels may be deemed material. Accordingly, we encourage investors and others to monitor these social media channels in addition to following our press releases, SEC filings and public conference calls and webcasts. The social media channels that we intend to use as a means of disclosing the information described here may be updated from time to time as listed on our investor relations webpage. 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In computing adjusted free cash flow, we exclude the effects of proceeds from shares issued in connection with the employee stock purchase plan, purchases of property and equipment, and net change in short-term payable financing. As it relates to adjusted free cash flow, we add back amounts equal to the proceeds from shares issued in connection with employee stock purchase plan to reflect the non-cash nature of these transactions. Because no cash is exchanged in these transactions, showing proceeds in the financing section of the statement of cash flows as required by GAAP results in a corresponding decrease in the operating section, which management believes is not indicative of actual cash used in or provided by our operations. We also add back the net change to short-term payable financing to adjusted free cash flow. We believe that this non-GAAP cash metric is useful because it provides investors with the same information that management uses to consistently evaluate, forecast and measure the Company’s actual cash flows and its ability to achieve and maintain positive cash flows. We use these non-GAAP financial measures for financial and operational decision-making and as a means to evaluate period-to-period comparisons. Our management believes that these non-GAAP financial measures provide meaningful supplemental information regarding our performance and liquidity by excluding certain items that may not be indicative of our ongoing core business operating results. We believe that both management and investors benefit from referring to these non-GAAP financial measures in assessing our performance and when analyzing historical performance and liquidity and planning, forecasting, and analyzing future periods. For a reconciliation of these non-GAAP financial measures to GAAP measures, please see the tables captioned "Reconciliation of Non-GAAP Financial Measures" included at the end of this release. Forward-Looking Statements This press release contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934 and the Private Securities Litigation Reform Act of 1995. These forward-looking statements include statements of our Chief Executive Officer, statements regarding competitive positions, our financial outlook for our fourth fiscal quarter, and results for future periods. Forward-looking statements are subject to risks and uncertainties and are based on potentially inaccurate assumptions that could cause actual results to differ materially from those expected or implied by the forward-looking statements. Actual results may differ materially from the results predicted, and reported results should not be considered as an indication of future performance. The potential risks and uncertainties that could cause actual results to differ from the results predicted include, among others, those risks and uncertainties included under the caption "Risk Factors" and elsewhere in our filings with the SEC, including, without limitation, the Annual Report on Form 10-K filed with the SEC on March 28, 2024 and the Quarterly Report on Form 10-Q for the quarter ended October 31, 2024 expected to be filed with the SEC on or about December 10, 2024. All information provided in this release and in the attachments is as of the date hereof, and we undertake no duty to update this information unless required by law. Domo is a registered trademark of Domo, Inc. 2023 2024 2023 2024 $ 71,293 $ 71,113 $ 213,594 $ 214,144 8,382 8,651 25,211 24,130 79,675 79,764 238,805 238,274 11,523 13,334 33,588 39,410 7,253 6,627 22,847 21,389 18,776 19,961 56,435 60,799 60,899 59,803 182,370 177,475 40,262 37,194 124,464 116,040 19,729 21,264 63,931 65,952 12,130 12,429 35,509 42,504 72,121 70,887 223,904 224,496 (11,222 ) (11,084 ) (41,534 ) (47,021 ) - (1,850 ) - (1,850 ) (4,930 ) (5,622 ) (14,549 ) (14,805 ) (4,930 ) (7,472 ) (14,549 ) (16,655 ) (16,152 ) (18,556 ) (56,083 ) (63,676 ) 261 205 801 582 $ (16,413 ) $ (18,761 ) $ (56,884 ) $ (64,258 ) $ (0.45 ) $ (0.48 ) $ (1.59 ) $ (1.68 ) 36,310 38,832 35,812 38,243 $ 670 $ 784 $ 1,958 $ 2,389 359 295 1,311 942 6,364 4,754 19,260 15,238 4,621 4,038 14,214 12,529 4,174 3,080 10,642 12,075 181 210 516 603 $ 16,369 $ 13,161 $ 47,901 $ 43,776 $ 20 $ 142 $ 60 $ 426 $ - $ - $ 443 $ - - - 1,553 - $ - $ - $ 1,996 $ - $ - $ 455 $ - $ 33 2024 2024 $ 60,939 $ 40,925 67,197 57,177 16,006 15,288 9,602 7,083 153,744 120,473 27,003 27,937 11,746 10,108 19,542 17,420 2,740 2,267 9,478 9,478 1,407 2,528 $ 225,660 $ 190,211 $ 4,313 $ 8,403 43,430 58,392 4,807 5,506 185,250 153,919 237,800 226,220 11,135 8,125 2,736 3,311 14,001 8,151 113,534 115,574 379,206 361,381 37 39 1,252,200 1,298,596 (180 ) 56 (1,405,603 ) (1,469,861 ) (153,546 ) (171,170 ) $ 225,660 $ 190,211 Domo, Inc. 2023 2024 2023 2024 $ (16,413 ) $ (18,761 ) $ (56,884 ) $ (64,258 ) 1,636 2,254 4,738 7,117 1,063 1,142 3,235 3,320 4,398 4,454 13,354 13,181 16,369 13,161 47,901 43,776 - 1,850 - 1,850 - 456 - 33 1,072 2,390 3,643 4,334 (3,022 ) (8,489 ) 23,750 10,020 (4,016 ) (4,524 ) (10,921 ) (10,328 ) 291 1,543 (173 ) 1,819 998 (11,655 ) (966 ) (152 ) (1,237 ) (1,392 ) (4,054 ) (4,000 ) (608 ) 10,238 (3,361 ) 6,073 (4,856 ) (6,368 ) (23,124 ) (30,756 ) (4,325 ) (13,701 ) (2,862 ) (17,971 ) (2,714 ) (2,515 ) (9,214 ) (7,245 ) - - (26 ) - (2,714 ) (2,515 ) (9,240 ) (7,245 ) - (402 ) - (402 ) 1,374 789 3,406 1,910 - (296 ) - (504 ) - 52,758 - 52,758 - (53,177 ) - (53,177 ) - 6,190 - 8,972 - (4,536 ) - (4,536 ) 62 - 65 - 1,436 1,326 3,471 5,021 (862 ) 111 (482 ) 181 (6,465 ) (14,779 ) (9,113 ) (20,014 ) 63,852 55,704 66,500 60,939 $ 57,387 $ 40,925 $ 57,387 $ 40,925 2023 2024 2023 2024 $ 71,293 $ 71,113 $ 213,594 $ 214,144 11,523 13,334 33,588 39,410 59,770 57,779 180,006 174,734 84 % 81 % 84 % 82 % 670 784 1,958 2,389 $ 60,440 $ 58,563 $ 181,964 $ 177,123 85 % 82 % 85 % 83 % $ 72,121 $ 70,887 $ 223,904 $ 224,496 (15,159 ) (11,872 ) (44,116 ) (39,842 ) (20 ) (142 ) (60 ) (426 ) - - (1,996 ) - $ 56,942 $ 58,873 $ 177,732 $ 184,228 $ (11,222 ) $ (11,084 ) $ (41,534 ) $ (47,021 ) 16,188 12,951 47,385 43,173 20 142 60 426 - - 1,996 - $ 4,986 $ 2,009 $ 7,907 $ (3,422 ) (14 )% (14 )% (17 )% (20 )% 20 17 19 19 - - 1 - 6 % 3 % 3 % (1 )% $ (16,413 ) $ (18,761 ) $ (56,884 ) $ (64,258 ) 16,369 13,161 47,901 43,776 20 142 60 426 - - 1,996 - - 1,850 - 1,850 - 455 - 33 $ (24 ) $ (3,153 ) $ (6,927 ) $ (18,173 ) $ (0.45 ) $ (0.48 ) $ (1.59 ) $ (1.68 ) 0.45 0.34 1.34 1.15 — — 0.06 — — 0.05 — 0.05 — 0.01 — — $ — $ (0.08 ) $ (0.19 ) $ (0.48 ) $ 79,675 $ 79,764 $ 238,805 $ 238,274 158,522 153,919 158,522 153,919 4,236 3,311 4,236 3,311 (164,882 ) (161,601 ) (182,273 ) (185,250 ) (2,732 ) (1,997 ) (3,609 ) (2,736 ) (4,856 ) (6,368 ) (23,124 ) (30,756 ) $ 74,819 $ 73,396 $ 215,681 $ 207,518 $ (4,325 ) $ (13,701 ) $ (2,862 ) $ (17,971 ) 1,374 789 3,406 1,910 (2,714 ) (2,515 ) (9,214 ) (7,245 ) - 6,190 - 8,972 - (4,536 ) - (4,536 ) $ (5,665 ) $ (13,773 ) $ (8,670 ) $ (18,870 ) View source version on businesswire.com : https://www.businesswire.com/news/home/20241205261989/en/ CONTACT: Media – Cynthia Cowen PR@domo.comInvestors – Peter Lowry IR@domo.com KEYWORD: UTAH UNITED STATES NORTH AMERICA INDUSTRY KEYWORD: PROFESSIONAL SERVICES DATA MANAGEMENT DATA ANALYTICS TECHNOLOGY SOFTWARE ARTIFICIAL INTELLIGENCE INTERNET SOURCE: Domo, Inc. Copyright Business Wire 2024. PUB: 12/05/2024 04:05 PM/DISC: 12/05/2024 04:06 PM http://www.businesswire.com/news/home/20241205261989/enNATCHITOCHES, La. (AP) — Chris Mubiru had 13 points to lead Northwestern State to a 71-58 victory over North Alabama on Sunday. Mubiru finished 5 of 6 from the field for the Demons (3-4). Jerald Colonel scored 12 points and added six rebounds. Landyn Jumawan had 12 points with two 3-pointers. Jacari Lane finished with 14 points to lead the Lions (4-3). Will Soucie added 13 points and Canin Jefferson scored nine. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .“Meet the Press” host Kristen Welker pressed President-elect Donald Trump on whether he will fire FBI Director Christopher Wray during a Friday interview which aired Sunday. Trump nominated Kash Patel to serve as the director of the Federal Bureau of Investigation on Nov. 30, despite the fact that Wray, who the president-elect appointed during his first term, has yet to end his appointment. Noting that, the NBC News host asked Trump whether he plans to fire Wray. “Well, I can’t say I’m thrilled with him. He invaded my home — I’m suing the country over it,” Trump responded. “He invaded Mar-a-Lago.” NBC: Will you fire Christopher Wray? PRESIDENT TRUMP: “It would sort of seem pretty obvious that if @Kash_Patel gets in, he’s going to be taking somebody’s place, right? That somebody is the man you’re talking about.” pic.twitter.com/dYQwfx5l5O — Trump War Room (@TrumpWarRoom) December 8, 2024 On Aug. 8, 2022, the FBI raided Trump’s Florida estate over the alleged mishandling of classified documents in a case since dismissed over the legality of special counsel Jack Smith’s appointment. “I’m very unhappy with the things he’s done and crime is at an all-time high. Migrants are pouring into the country that are from prisons and mental institutions, as we’ve discussed,” the incoming president told Welker. (RELATED: ‘They Came In Illegally’: Trump Clashes With’Meet The Press’ Host Over Deportation Promises) “I can’t say I’m thrilled. I don’t want to say — again,” Trump continued, taking a more stern tone of voice. “I don’t want to be Joe Biden and give you an answer and then go the exact opposite.” Trump was referencing President Joe Biden’s Dec. 1 pardoning of his son, Hunter, after repeatedly claiming he would never do it. Welker tried interjecting as Trump spoke undeterred, telling her again how dissatisfied he was with Wray’s conduct. He recalled the FBI director’s initial apparent downplay of the assassination attempt against him in Butler, Pennsylvania in July. “You take a look at what’s happened. And then when I was shot in the ear, he said, ‘Oh, maybe it was shrapnel.’ Where’s the shrapnel coming from?” Trump questioned. “Is it coming from heaven? I don’t think so.” Welker tried one more time and asked if Wray must be fired to make way for Patel, a question which Trump punted. “It would sort of seem pretty obvious that if Kash gets in he’s going to be taking somebody’s place, right? The somebody is the man you are talking about,” he answered.

European Commission President Ursula von der Leyen arrived in Uruguay on Thursday, aiming to conclude long-delayed negotiations for a landmark trade deal between the European Union (EU) and the Mercosur bloc. The agreement could create a trans-Atlantic market of 700 million people but faces opposition from EU member states and farmers. "The finish line of the EU-Mercosur agreement is in sight. Let's work, let's cross it," von der Leyen said, sidestepping objections from some EU countries, in particular France. French President Emmanuel Macron called the current proposal "unacceptable," citing concerns about unfair competition for European farmers. Macron vowed to defend agricultural independence, reflecting resistance from France's politically influential farming community. What's at Stake in the EU-Mercosur Agreement? The EU-Mercosur trade pact would establish an economic area encompassing nearly 25 percent of global GDP. It aims to reduce tariffs and trade barriers, facilitating the exchange of goods between Europe and South America. German automakers including Volkswagen, Audi , and BMW support the deal, because it would lower costs for exporting vehicles to Latin American markets. A provisional agreement reached in 2019 stalled over disputes related to environmental standards and agricultural competition. Mercosur, comprising Brazil, Argentina, Paraguay, Uruguay, and Bolivia, could see its producers gain market access to the EU for beef, poultry, and sugar, raising concerns among European farmers. Critics argue that Mercosur products don't meet stringent EU environmental and animal welfare standards, providing them with an unfair price advantage. Can Protests Derail the Agreement? Farmers across the EU have staged protests to highlight their grievances. Belgian farmers blocked border crossings on Thursday, warning that the deal could flood European markets with cheaper South American goods, undermining EU producers who must comply with stricter standards. Last year, mass demonstrations underscored the depth of opposition to the deal. Despite these challenges, von der Leyen's visit suggests that technical disputes between the EU and Mercosur have been resolved. "The road is open for the top political level to make the final compromises to try to get a deal over the line," said European Commission spokesperson Olof Gill. What Happens If a Deal Is Reached? If von der Leyen secures an agreement at the Mercosur summit , the next steps would involve translating the deal into legal text. The ratification process could reveal whether unanimous approval by all 27 EU member states is required or if a special majority would suffice. As negotiations reach a critical stage, the deal's outcome will depend on whether von der Leyen can balance the EU's economic ambitions with the concerns of its member states and citizens. This article includes reporting from The Associated PressWASHINGTON – President Joe Biden said Sunday that the U.S. government believes missing American journalist Austin Tice, who disappeared 12 years ago near the Syrian capital, is alive and that Washington is committed to bringing him home after Bashar Assad’s ouster from power in Damascus . “We think we can get him back," Biden told reporters at the White House, while acknowledging that “we have no direct evidence” of his status. "Assad should be held accountable.” Recommended Videos Biden said officials must still identify exactly where Tice is after his disappearance in August 2012 at a checkpoint in a contested area west of Damascus. “We've remained committed to returning him to his family,” he said. Tice, who is from Houston and whose work had been published by The Washington Post, McClatchy newspapers and other outlets. A video released weeks after Tice went missing showed him blindfolded and held by armed men and saying, “Oh, Jesus.” He has not been heard from since. Syria has publicly denied that it was holding him. The United States has no new evidence that Tice is alive, but continues to operate under the assumption he is alive, according to a U.S. official. The official, who was not authorized to comment publicly and spoke on condition of anonymity, said the U.S. will continue to work to identify where he is and to try to bring him home. His mother, Debra, said at a news conference Friday in Washington that the family had information from a “significant source,” whom she did not identify, establishing that her son was alive. “He is being cared for and he is well — we do know that,” she said. The Tice family met this past week with officials at the State Department and the White House. “To everyone in Syria that hears this, please remind people that we’re waiting for Austin,” Debra Tice said in comments that hostage advocacy groups spread on social media Sunday. “We know that when he comes out, he’s going to be fairly dazed & he’s going to need lots of care & direction. Direct him to his family please!”